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Antonio Tabucchi's novel Requiem is set in Lisbon on a torrid July day. The unnamed narrator - clearly a persona of Tabucchi himself - awaits a midnight appointment on a quay of the Tagus. His time is filled with a succession of encounters with residents of the Portuguese capital, and with late friends and relations. Part travelog, part autobiography, part fiction, Requiem at once becomes a homage to a country and a people and a farewell to the past; requiescat in pace. In all this, the narrator himself remains shadowy, walking in a dream atmosphere. The midnight appointment approaches. The narrator meets at last with another unnamed writer, now long dead, though the evidence points to the great poet Fernando Pessoa. Requiem thus ends as an act of succession, the narrator's claim to a literary forebear who, like himself, is of evasive and manifold personalities.
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Antonio Tabucchi was born in Pisa in 1943 and died in Lisbon, his adopted home, in 2012. Over the course of his career he won France's Medicis Prize for Indian Nocturne, the Italian PEN Prize for Requiem, and the Aristeion Prize for Pereira Maintains. A staunch critic of the former Italian prime minister Silvio Berlusconi, he once said that "democracy isn't a state of perfection, it has to be improved, and that means constant vigilance."
Margaret Jull Costa, who has translated Javier Marías and José Saramago, lives in England.
Antonio Tabucchi's novel Requiem is set in Lisbon on a torrid July day. The unnamed narrator - clearly a persona of Tabucchi himself - awaits a midnight appointment on a quay of the Tagus. His time is filled with a succession of encounters with residents of the Portuguese capital, and with late friends and relations. Part travelog, part autobiography, part fiction, Requiem at once becomes a homage to a country and a people and a farewell to the past; requiescat in pace. In all this, the narrator himself remains shadowy, walking in a dream atmosphere. The midnight appointment approaches. The narrator meets at last with another unnamed writer, now long dead, though the evidence points to the great poet Fernando Pessoa. Requiem thus ends as an act of succession, the narrator's claim to a literary forebear who, like himself, is of evasive and manifold personalities.
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