Explores the creation of the Tony-nominated Broadway musical based on Gregory Maguire's best-selling novel, drawing on draft scripts, interviews with key contributors and other primary sources to cover such topics as the compositions of Stephen Schwartz, the show's reception throughout the world and its themes about female empowerment.
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Paul R. Laird is professor of Musicology at the University of Kansas, where he teaches courses in music history, musical theater, and directs the Instrumental Collegium Musicum. He is the author of The Baroque Cello Revival: An Oral History (Scarecrow, 2004) and coauthor of Historical Dictionary of the Broadway Musical (Scarecrow, 2007).
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