Atmospheric Embroidery: Poems - Softcover

Alexander, Meena

 
9780810137608: Atmospheric Embroidery: Poems

Inhaltsangabe

In this haunting collection of poems we travel through zones of violence to reach the crystalline depths of words: Meena Alexander writes, "So landscape becomes us, / Also an interior space bristling with light." At the heart of this book is the poem cycle "Indian Ocean Blues," a sustained meditation on the journey of the poet as a young child from India to Sudan. There are poems inspired by the drawings of children from war-torn Darfur and others set in present-day New York City. These sensual lyrics of body, memory, and place evoke the fragile, shifting nature of dwelling in our times.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

MEENA ALEXANDER is an award-winning author and scholar whose previous volumes of poetry include Birthplace with Buried Stones, Quickly Changing River, Raw Silk, and Illiterate Heart (winner of the PEN Open Book Award), all published by TriQuarterly/Northwestern. Her poetry has been translated into several languages and set to music. She is also the author of an acclaimed autobiography, Fault Lines, as well as two novels; an academic study, Women in Romanticism; and a collection of essays, Poetics of Dislocation. Alexander is Distinguished Professor of English at the City University of New York and teaches at Hunter College and the CUNY Graduate Center.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Atmospheric Embroidery

Poems

By Meena Alexander

Northwestern University Press

Copyright © 2018 Meena Alexander
All rights reserved.
ISBN: 978-0-8101-3760-8

Contents

One,
Aesthetic Knowledge,
Attar,
Darling Coffee,
Little Burnt Holes,
Debt Ridden,
Indian Ocean Blues,
Shook Silver,
Human Geography,
Song Lines,
Studio,
Net Work,
Bright Passage,
Blues,
Two,
Indian Ocean Blues,
Fermata,
Udisthanam,
Phillis Wheatley Suite,
Sticks and Stones,
Slow Burn,
Harlem Cleopatra,
Magnificat,
The Journey,
Darfur Poems,
Sand Music,
In Our Lifetime,
Green Leaves of El Fasher,
Nurredin,
Last Colors,
Child's Notebook,
There She Stands,
Fragment in Praise of the Book,
Night Theater,
Chilika Lake,
Dreaming in Shimla — Letter to My Mother,
Game of Ghosts,
Three,
Atmospheric Embroidery,
Univocity,
Provincetown by the Sea,
Scrim-Scram of Music,
Torn Branches,
Ars Poetica,
Lines with Red Ants,
Bathtub Blues,
This Is Not a Dream,
Black Sand at the Edge of the Sea,
Indian Ocean Blues,
Inwood Sita,
Tarawad,
Syncopation,
Pitching a Tent,
Dwelling,
Fragments of an Inexistent Whole,
Death of a Young Dalit,
Moksha,
Staggering Skyward,
No Rescue (with Toy Cars),
Crossroad,
Indian Ocean Blues,
Lyric Ego,
Notes and Acknowledgments,


CHAPTER 1

Aesthetic Knowledge


These are the practices of bodily art—
Burn an almond, collect the soot, mix it with butter.

Enter a cloud
And things are blotted out, ruins restored

So landscape becomes us,
Also an interior space bristling with light.

Have you seen the calendar picture?
Tears from the domes, like droplets of milk

So memories consume a broken mosque.
We are creatures of this world

An invisible grammar holds us in place.
When God shows his face

Even mountains start to blaze.
Burnt rock ground very fine

Becomes surma for the eyes, a divine blessing.
For my Dark Night series I used sumi ink

Culled from the soot of Japanese temples.
For Nur — my Blinding Light series —

Gold leaf pasted on paper,
Utterly fragile.

For Zarina Hashmi


Attar

Soon after we met you set a tiny bottle in my palm.
It had blue whorls and a gold stopper,

Glass blown in the furnaces of Hyderabad.
Open it you whispered,

They call it Attar of the First Rains on Dry Earth:
Pick a piece of wool cotton and pour a drop on it,

Then set it in the broken window frame:
Remember this is the odor of earth and air

This perfume summons souls.


Darling Coffee

The periodic pleasure
  Of small happenings
Is upon us—
  Behind the stalls
At the farmers market
  Snow glinting in heaps,
A cardinal its chest
  Puffed out, bloodshod
Above the piles of awnings,
  Passion's proclivities.
You picking up a sweet potato
  Turning to me — This too? —
Query of tenderness
  Under the blown red wing.
Remember the brazen world?
  Let's find a room
With a window onto elms
  Strung with sunlight,
A café with polished cups,
  Darling Coffee they call it.
May our bed be stoked
  With fresh cut rosemary
And glinting thyme,
  All herbs in due season
Tucked under wild sheets
  Fit for the conjugation of joy.


Little Burnt Holes

Stiff legged, my head and throat so cold, I quit the jury selection
  room.

I dream of a shop with red velvet curtains where hats the color of
  bark lie on the counter,

The hat I want is cut of mink, fit for a brutal season. It has prickles of
  fur, dirt colored like the faces of prisoners afloat in the courtroom,

Like the wool Basho wrapped around his throat when he called on
  the Lady of Trees.

All night she sits under a wild flowering tree, ready to judge both the
  quick and the dead.

She has a son who breathes fire. Basho whispers to me: In your
  country they fill the prisons with dark folk, that's all they care
  about.

Outside the courtroom, on Center Street, a cold wind rips the scarf
  off my head, blinds me.

At night I see the Lady of Trees. She pulls out a handkerchief, makes
  her fire-breathing son stop and blow his nose.

Sparks waltz. Her muslin is spotted with little burnt holes.


Debt Ridden

Who are we?

Something was hopping
Up and down in my throat
  O bullfrog

By the stream
Where I was born.

How did we get here?

My mother had a pink
blouse

Over it her sari.

Something

Was torn.

  At first she owed nothing.
Then the sky put paid to us

The wind altered itself
And set us all on fire.

For Nell Painter


Indian Ocean Blues

L'hibiscus qui n'est pas
autre chose qu'un oeil eclaté.
—AIMÉ CÉSAIRE


Shook Silver

I was a child on the Indian Ocean.
Deck-side we dance in a heat-haze,
Toes squirm under silver wings.
Under burlap someone weeps.

Amma peers out of the porthole
Sari stitched with bits of saffron
Watch out for flying fish,
She cries.

Our boat is bound for Africa.
They have goats and cows just like us,
Also snakes that curl
Under the frangipani tree.

Remember what grandmother said?
If you don't keep that parasol
Over your head
You'll turn into a little black girl.

Where is she now,
Child crossing the livid sea?
Older now,
I must speak to the shadows.


Human Geography

Out of the belly of stone
India pours,
Wild grass is torn
From its roots.

On broken rock
Your face is etched in shadow.
Is this what love does —
Sempiternal marking?


Song Lines

One sea
Leads to another
(O mirror drunk with salt)
Also to that dreamless sleep

Where all seas start.
On this North American coast
Birch trees swallow the wind
Ranunculus petals tumble

In the heat of spring.
We shut our eyes to the glare
Stumble into the hole
Where Sita lay:

Eye of heaven, earth's soul.
After the trepidation of rocks
After burst blood vessels
Will fields of saxifrage

And self-heal bloom?
Girls gather in sunlight,

Perch on a fault mass
Combing out their hair.


Studio

I was on an island where few birds call.
Old trees swirled in the wind

The door to my studio tore off
Stones struck clouds, church bells echoed

— Earthly unsettlement.
Forced to go on, what did I do?

I pulled down a wall,
Set up another with pasteboard

Tacked a strip of mirror all along the floor
Till white plaster was afloat, gravity unhinged.

The lights I had set up fell to one side,
I...

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.