In this haunting collection of poems we travel through zones of violence to reach the crystalline depths of words: Meena Alexander writes, "So landscape becomes us, / Also an interior space bristling with light." At the heart of this book is the poem cycle "Indian Ocean Blues," a sustained meditation on the journey of the poet as a young child from India to Sudan. There are poems inspired by the drawings of children from war-torn Darfur and others set in present-day New York City. These sensual lyrics of body, memory, and place evoke the fragile, shifting nature of dwelling in our times.
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One,
Aesthetic Knowledge,
Attar,
Darling Coffee,
Little Burnt Holes,
Debt Ridden,
Indian Ocean Blues,
Shook Silver,
Human Geography,
Song Lines,
Studio,
Net Work,
Bright Passage,
Blues,
Two,
Indian Ocean Blues,
Fermata,
Udisthanam,
Phillis Wheatley Suite,
Sticks and Stones,
Slow Burn,
Harlem Cleopatra,
Magnificat,
The Journey,
Darfur Poems,
Sand Music,
In Our Lifetime,
Green Leaves of El Fasher,
Nurredin,
Last Colors,
Child's Notebook,
There She Stands,
Fragment in Praise of the Book,
Night Theater,
Chilika Lake,
Dreaming in Shimla — Letter to My Mother,
Game of Ghosts,
Three,
Atmospheric Embroidery,
Univocity,
Provincetown by the Sea,
Scrim-Scram of Music,
Torn Branches,
Ars Poetica,
Lines with Red Ants,
Bathtub Blues,
This Is Not a Dream,
Black Sand at the Edge of the Sea,
Indian Ocean Blues,
Inwood Sita,
Tarawad,
Syncopation,
Pitching a Tent,
Dwelling,
Fragments of an Inexistent Whole,
Death of a Young Dalit,
Moksha,
Staggering Skyward,
No Rescue (with Toy Cars),
Crossroad,
Indian Ocean Blues,
Lyric Ego,
Notes and Acknowledgments,
Aesthetic Knowledge
These are the practices of bodily art—
Burn an almond, collect the soot, mix it with butter.
Enter a cloud
And things are blotted out, ruins restored
So landscape becomes us,
Also an interior space bristling with light.
Have you seen the calendar picture?
Tears from the domes, like droplets of milk
So memories consume a broken mosque.
We are creatures of this world
An invisible grammar holds us in place.
When God shows his face
Even mountains start to blaze.
Burnt rock ground very fine
Becomes surma for the eyes, a divine blessing.
For my Dark Night series I used sumi ink
Culled from the soot of Japanese temples.
For Nur — my Blinding Light series —
Gold leaf pasted on paper,
Utterly fragile.
For Zarina Hashmi
Attar
Soon after we met you set a tiny bottle in my palm.
It had blue whorls and a gold stopper,
Glass blown in the furnaces of Hyderabad.
Open it you whispered,
They call it Attar of the First Rains on Dry Earth:
Pick a piece of wool cotton and pour a drop on it,
Then set it in the broken window frame:
Remember this is the odor of earth and air
This perfume summons souls.
Darling Coffee
The periodic pleasure
Of small happenings
Is upon us—
Behind the stalls
At the farmers market
Snow glinting in heaps,
A cardinal its chest
Puffed out, bloodshod
Above the piles of awnings,
Passion's proclivities.
You picking up a sweet potato
Turning to me — This too? —
Query of tenderness
Under the blown red wing.
Remember the brazen world?
Let's find a room
With a window onto elms
Strung with sunlight,
A café with polished cups,
Darling Coffee they call it.
May our bed be stoked
With fresh cut rosemary
And glinting thyme,
All herbs in due season
Tucked under wild sheets
Fit for the conjugation of joy.
Little Burnt Holes
Stiff legged, my head and throat so cold, I quit the jury selection
room.
I dream of a shop with red velvet curtains where hats the color of
bark lie on the counter,
The hat I want is cut of mink, fit for a brutal season. It has prickles of
fur, dirt colored like the faces of prisoners afloat in the courtroom,
Like the wool Basho wrapped around his throat when he called on
the Lady of Trees.
All night she sits under a wild flowering tree, ready to judge both the
quick and the dead.
She has a son who breathes fire. Basho whispers to me: In your
country they fill the prisons with dark folk, that's all they care
about.
Outside the courtroom, on Center Street, a cold wind rips the scarf
off my head, blinds me.
At night I see the Lady of Trees. She pulls out a handkerchief, makes
her fire-breathing son stop and blow his nose.
Sparks waltz. Her muslin is spotted with little burnt holes.
Debt Ridden
Who are we?
Something was hopping
Up and down in my throat
O bullfrog
By the stream
Where I was born.
How did we get here?
My mother had a pink
blouse
Over it her sari.
Something
Was torn.
At first she owed nothing.
Then the sky put paid to us
The wind altered itself
And set us all on fire.
For Nell Painter
Indian Ocean Blues
L'hibiscus qui n'est pas
autre chose qu'un oeil eclaté.
—AIMÉ CÉSAIRE
Shook Silver
I was a child on the Indian Ocean.
Deck-side we dance in a heat-haze,
Toes squirm under silver wings.
Under burlap someone weeps.
Amma peers out of the porthole
Sari stitched with bits of saffron
Watch out for flying fish,
She cries.
Our boat is bound for Africa.
They have goats and cows just like us,
Also snakes that curl
Under the frangipani tree.
Remember what grandmother said?
If you don't keep that parasol
Over your head
You'll turn into a little black girl.
Where is she now,
Child crossing the livid sea?
Older now,
I must speak to the shadows.
Human Geography
Out of the belly of stone
India pours,
Wild grass is torn
From its roots.
On broken rock
Your face is etched in shadow.
Is this what love does —
Sempiternal marking?
Song Lines
One sea
Leads to another
(O mirror drunk with salt)
Also to that dreamless sleep
Where all seas start.
On this North American coast
Birch trees swallow the wind
Ranunculus petals tumble
In the heat of spring.
We shut our eyes to the glare
Stumble into the hole
Where Sita lay:
Eye of heaven, earth's soul.
After the trepidation of rocks
After burst blood vessels
Will fields of saxifrage
And self-heal bloom?
Girls gather in sunlight,
Perch on a fault mass
Combing out their hair.
Studio
I was on an island where few birds call.
Old trees swirled in the wind
The door to my studio tore off
Stones struck clouds, church bells echoed
— Earthly unsettlement.
Forced to go on, what did I do?
I pulled down a wall,
Set up another with pasteboard
Tacked a strip of mirror all along the floor
Till white plaster was afloat, gravity unhinged.
The lights I had set up fell to one side,
I...
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paperback. Zustand: Very Good. Atmospheric Embroidery: Poems This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9780810137608
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Zustand: New. Poetic cycles that speak to journey and meditation are at the heart of Meena Alexander s latest collection, Atmospheric Embroidery. These poems sing the blues of the Indian Ocean, wash up on the ports of Sudan, and scatter the streets of New York City. Artikel-Nr. 898769440
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