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Leonardo, Psychoanalysis and Art History: A Critical Study of Psychobiographical Approaches to Leonardo da Vinci (Psychosocial Issues S.) - Hardcover

 
9780810114197: Leonardo, Psychoanalysis and Art History: A Critical Study of Psychobiographical Approaches to Leonardo da Vinci (Psychosocial Issues S.)

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Whether psychoanalysis can, in fact, add to our understanding of art has long been a source of contention among art historicans and psychoanalysts. This volume is the most recent round of a lively intellectual debate that has taken place between the two disciplines over the decades. Using Freud's "Leonardo da Vinci and a memory of his childhood" as a starting point, the author employs psychoanalytic theory to deepen and expand the psychobiographical understanding of the artist. He evaluates the factual and art historical basis for psychoanalytic claims, and the extent to which these claims illuminate specific works by Leonardo. Addressing such issues as the correct formulation of psychoanalytic interpretations of art and the proper way to evaluate them, as well as how such interpretations become relevant to art history, Collins raises a number of methodological questions: what are the criteria for judging pscyhobiographical reconstructions? Are psychoanalytic approaches to historically remote figures inevitably ahistorical? How does the analyst's response become relevant to the art historian? Can psychobiography address form as well as content? This volume considers the central psychoanalytic issues pertaining to Leonardo and discusses psychobiographical interpretations from the point of view of current psychoanalytic theory and art historical scholarship. At the same time, Collins attempts to answer the recurring question: does the painting explain the life, or the life explain the painting?

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Whether psychoanalysis can, in fact, add to our understanding of art has long been a source of contention among art historicans and psychoanalysts. This volume is the most recent round of a lively intellectual debate that has taken place between the two disciplines over the decades. Using Freud's "Leonardo da Vinci and a memory of his childhood" as a starting point, the author employs psychoanalytic theory to deepen and expand the psychobiographical understanding of the artist. He evaluates the factual and art historical basis for psychoanalytic claims, and the extent to which these claims illuminate specific works by Leonardo. Addressing such issues as the correct formulation of psychoanalytic interpretations of art and the proper way to evaluate them, as well as how such interpretations become relevant to art history, Collins raises a number of methodological questions: what are the criteria for judging pscyhobiographical reconstructions? Are psychoanalytic approaches to historically remote figures inevitably ahistorical? How does the analyst's response become relevant to the art historian? Can psychobiography address form as well as content? This volume considers the central psychoanalytic issues pertaining to Leonardo and discusses psychobiographical interpretations from the point of view of current psychoanalytic theory and art historical scholarship. At the same time, Collins attempts to answer the recurring question: does the painting explain the life, or the life explain the painting?

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Bradley I. Collins; da Vinci Leonardo
Verlag: Northwestern Univ Pr, 1997
ISBN 10: 0810114194 ISBN 13: 9780810114197
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.36. Artikel-Nr. G0810114194I3N00

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Bradley Collins
Verlag: Northwestern Univ Pr, 1997
ISBN 10: 0810114194 ISBN 13: 9780810114197
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Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. See images for condition. About the book >.>.> Whether psychoanalysis can, in fact, add to our understanding of art has long been a source of contention among art historians and psychoanalysts. Leonardo, Psychoanalysis, and Art History is the latest round of a lively intellectual debate that has taken place between the two disciplines over the decades. Using Freud's Leonardo da Vinci and a Memory of His Childhood as a starting point, Collins employs psychoanalytic theory to deepen and expand the psychobiographical understanding of the artist. He evaluates the factual and art historical basis for psycho-analytic claims, and the extent to which these claims illuminate specific works by Leonardo da Vinci. Addressing such issues as the correct formulation of psychoanalytic interpretations of art and the proper way to evaluate them, as well as how such interpre-tations become relevant to art history, Collins raises a number of methodological questions: what are the criteria for judging psychobiographical reconstructions? (MP). Artikel-Nr. Batch-FM617-VG-12911

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