Investigates the role of visual representation in the establishment of real and fictional black identity, focusing on how African-American artists have responded to or used stereotypical images and how these responses may have impacted white identity and social power.
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Michael D. Harris is associate professor of African and African American art history at the University of North Carolina at Chapel Hill. An artist and curator, he is a longtime member of the Chicago-based artists' collective AfriCobra.
Artist and art historian Michael Harris examines the racial stereotypes prevalent in 19th- and 20th-century American art. He argues that these images substantially reinforced social power and undermined the self-esteem of African Americans. He traces black artists' responses to racist imagery across two centuries and a wide range of perspectives and offers compelling insights into the profound psychological impact of visual stereotypes on the African American community.
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00102482831
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. GRP94007227
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Anbieter: Asano Bookshop, Nagoya, AICHI, Japan
Hardcover. Zustand: New. Michael Harris investigates the role of visual representation in the construction of black identities, both real and imagined, in the United States. He focuses particularly on how African-American artists have responded to - and even used - stereotypical images in their own works. Artikel-Nr. 87420
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