The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism - Softcover

Moya, Paula M. L.

 
9780804797023: The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

Inhaltsangabe

In the context of the ongoing crisis in literary criticism, The Social Imperative reminds us that while literature will never by itself change the world, it remains a powerful tool and important actor in the ongoing struggle to imagine better ways to be human and free. Figuring the relationship between reader and text as a type of friendship, the book elaborates the social-psychological concept of schema to show that our multiple social contexts affect what we perceive and how we feel when we read. Championing and modeling a kind of close reading that attends to how literature reflects, promotes, and contests pervasive sociocultural ideas about race, ethnicity, gender, and sexuality, Paula M. L. Moya demonstrates the power of works of literature by writers such as Junot Diaz, Toni Morrison, and Helena Maria Viramontes to alter perceptions and reshape cultural imaginaries. Insofar as literary fiction is a unique form of engagement with weighty social problems, it matters not only which specific works of literature we read and teach, but also how we read them, and with whom. This is what constitutes the social imperative of literature.

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Über die Autorinnen und Autoren

Paula M. L. Moya is Professor of English and, by courtesy, of Iberian and Latin American Cultures at Stanford University.


Paula M. L. Moya is Professor of English and, by courtesy, of Iberian and Latin American Cultures at Stanford University.

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The Social Imperative

Race, Close Reading, and Contemporary Literary Criticism

By Paula M. L. Moya

STANFORD UNIVERSITY PRESS

Copyright © 2016 Board of Trustees of the Leland Stanford Junior University
All rights reserved.
ISBN: 978-0-8047-9702-3

Contents

Acknowledgments,
Introduction: Schemas and Racial Literacy,
1. Racism Is Not Intellectual: The Dialogic Potential of Multicultural Literature,
2. Not One and the Same Thing: The Ethical Relationship of Selves to Others in Toni Morrison's Sula,
3. Another Way to Be: Vestigial Schemas in Helena María Viramontes's "The Moths" and Manuel Muñoz's "Zigzagger",
4. Dismantling the Master's House: The Search for Decolonial Love in Junot Díaz's "How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie",
5. The Misprision of Mercy: Race and Responsible Reading in Toni Morrison's A Mercy,
Conclusion: Reading Race,
Notes,
Works Cited,
Index,


CHAPTER 1

RACISM IS NOT INTELLECTUAL

The Dialogic Potential of Multicultural Literature


    Racism is not intellectual.
    I can not reason these scars away.
    Lorna Dee Cervantes

    There is no Frigate like a Book
    To take us Lands away
    Emily Dickinson


In a searingly powerful poem that serves as the fulcrum of her award-winning first book of poetry, Emplumada, the Chicana poet Lorna Dee Cervantes responds to a young, white male acquaintance who has charged her with being altogether too concerned with the existence of racial discord. Over the course of "Poem for the Young White Man Who Asked Me How I, an Intelligent, Well-Read Person Could Believe in the War Between Races," Cervantes attempts to explain to her interlocutor why she has been unable to transcend the emotional predispositions and what Raymond Williams has called "structures of feeling" that have mediated her race-conscious perspective on their shared social world (Marxism 129–34). Hers is a perspective, she contends, that has its roots in the emotionally toxic fallout of her everyday experiences of racism: the schoolyard experiences that have left her with an "'excuse me' tongue, and [the] / nagging preoccupation with the feeling of not being good enough"; the "slaps on the face" that her daily experiences of racism bring to her; the powerful enmity she feels from the "real enemy" outside her door who "hates [her]." In response to the young man's implied argument that any perspective that participates in the logic of race-consciousness is the result of error-prone beliefs which can and should be eradicated through education, Cervantes insists that the accusation he has leveled at her cannot be adequately answered within the terms he has set forth: "Racism," she tells him, "is not intellectual. / I can not reason these scars away" (36).

If racism is not intellectual — if a committed anti-racist cannot fight it with facts, then how can we fight it? How might we go about the process of changing people's emotional horizons? — which is clearly a part of what needs to happen if the problem of racism is to be ameliorated. In this chapter, I explore two possible avenues: interracial friendships and multicultural literature. Insofar as emotions are key to the doing of race, a sustained examination of how emotions about race figure into human motivation must be central to any attempt to move beyond the ideologies and socioeconomic arrangements that sustain racial inequa

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9780804795708: The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism

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ISBN 10:  0804795703 ISBN 13:  9780804795708
Verlag: STANFORD UNIV PR, 2015
Hardcover