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Inhaltsangabe
Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music—tango and samba—to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.
Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.
Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.
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Über die Autorinnen und Autoren
Florencia Garramuño is Associate Professor and Founding Director of the Program in Brazilian Culture at the University of San Andrés in Buenos Aires.
Florencia Garramuño is Associate Professor and Founding Director of the Program in Brazilian Culture at the University of San Andrés in Buenos Aires.
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Primitive Modernities : Tango, Samba, and Nation
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Stanford University Press, 2011
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Primitive Modernities
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Stanford University Press, US, 2011
ISBN 10: 080476249X
ISBN 13: 9780804762496
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Hardback. Zustand: New. 1st. Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies. Artikel-Nr. LU-9780804762496
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Zustand: New. Primitive Modernities traces how the changing meaning of the primitive enabled the transformation of tango and samba-music considered primitive and marginal into art forms that symbolized the nations of Argentina and Brazil.Über den Autorr. Artikel-Nr. 595015742
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Primitive Modernities : Tango, Samba, and Nation
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Buch. Zustand: Neu. Neuware - Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the 'primitive' in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies. Artikel-Nr. 9780804762496
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Foto des Verkäufers
Primitive Modernities
Verlag:
Stanford University Press, US, 2011
ISBN 10: 080476249X
ISBN 13: 9780804762496
Neu
Hardcover
Erstausgabe
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
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Hardback. Zustand: New. 1st. Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies. Artikel-Nr. LU-9780804762496
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