Complex Pleasure: Forms of Feeling in German Literature - Softcover

Corngold, Stanley

 
9780804729406: Complex Pleasure: Forms of Feeling in German Literature
Softcover
ISBN 10: 0804729409 ISBN 13: 9780804729406
Verlag: STANFORD UNIV PR, 1998

Inhaltsangabe

Complex Pleasure deals with questions of literary feeling in eight major German writers-Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition-fiction, poetry, critique-can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary.

The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin's "swift conceptual grasp," in which "the tempo of the process of thought is stressed"; "artistic imagination," mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ("On Moods") and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorinnen und Autoren

Stanley Corngold is Professor of German and Comparative Literature at Princeton University. He is the author, most recently, of Franz Kafka: The Necessity of Form and Borrowed Lives (with Irene Giersing.)

Stanley Corngold is Professor of German and Comparative Literature at Princeton University.

Von der hinteren Coverseite

Complex Pleasure deals with questions of literary feeling in eight major German writers—Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition—fiction, poetry, critique—can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary.
The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin’s “swift conceptual grasp,” in which “the tempo of the process of thought is stressed”; “artistic imagination,” mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche (“On Moods”) and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).

Aus dem Klappentext

Complex Pleasure deals with questions of literary feeling in eight major German writers Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition fiction, poetry, critique can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary.
The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin s swift conceptual grasp, in which the tempo of the process of thought is stressed ; artistic imagination, mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ( On Moods ) and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

Verlag
STANFORD UNIV PR
Erscheinungsdatum
1998
Sprache
Englisch
ISBN 10 
0804729409
ISBN 13 
9780804729406
Einband
Taschenbuch
Anzahl der Seiten
264
Kontakt zum Hersteller
Mare Nostrum Group B.V.
gpsr@mare-nostrum.co.uk

Doelen 72
Breda
4831 GR
Niederlande

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