NOW A MAJOR MOTION PICTURE
With the publication of his groundbreaking novels The Da Vinci Code, The Lost Symbol, and Angels & Demons, Dan Brown has become an international bestselling sensation, seamlessly fusing codes, symbols, art, and history into riveting thrillers that have captivated hundreds of millions of readers around the world. Now, Dan Brown takes readers deep into the heart of Italy . . . guiding them through a landscape that inspired one of history’s most ominous literary classics.
“The darkest place in hell are reserved for those who maintain their neutrality in times of moral crisis.”
Harvard professor of symbology Robert Langdon awakens in a hospital in the middle of the night. Disoriented and suffering from a head wound, he recalls nothing of the last thirty-six hours, including how he got there . . . or the origin of the macabre object that his doctors discover hidden in his belongings.
Langdon’s world soon erupts into chaos, and he finds himself on the run in Florence with a stoic young woman, Sienna Brooks, whose clever maneuvering saves his life. Langdon quickly realizes that he is in possession of a series of disturbing codes created by a brilliant scientist—a genius whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written—Dante Alighieri’s dark epic poem The Inferno.
Racing through such timeless locations as the Palazzo Vecchio, the Boboli Gardens, and the Duomo, Langdon and Brooks discover a network of hidden passageways and ancient secrets, as well as a terrifying new scientific paradigm that will be used either to vastly improve the quality of life on earth . . . or to devastate it.
In his most riveting and thought-provoking novel to date, Dan Brown has raised the bar yet again. Inferno is a sumptuously entertaining read—a novel that will captivate readers with the beauty of classical Italian art, history, and literature . . . while also posing provocative questions about the role of cutting-edge science in our future.
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Dan Brown is the author of The Da Vinci Code, one of the most widely read novels of all time, as well as the international bestsellers Inferno, The Lost Symbol, Angels & Demons, Deception Point, and Digital Fortress. He lives in New England with his wife.
With the publication of his groundbreaking novels The Da Vinci Code, The Lost Symbol, and Angels & Demons, Dan Brown has become an international bestselling sensation, seamlessly fusing codes, symbols, art, and history into riveting thrillers that have captivated hundreds of millions of readers around the world. Now, with this stunning special illustrated edition of his record-setting Inferno, brought to life by more than 200 breathtaking color images, Dan Brown takes readers deep into the heart of Italy . . . guiding them through a landscape that inspired one of history's most ominous literary classics. "The darkest place in hell are reserved for those who maintain their neutrality in times of moral crisis." Harvard professor of symbology Robert Langdon awakens in a hospital in the middle of the night. Disoriented and suffering from a head wound, he recalls nothing of the last thirty-six hours, including how he got there . . . or the origin of the macabre object that his doctors discover hidden in his belongings. Langdon's world soon erupts into chaos, and he finds himself on the run in Florence with a stoic young woman, Sienna Brooks, whose clever maneuvering saves his life. Langdon quickly realizes that he is in possession of a series of disturbing codes created by a brilliant scientist-a genius whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written-Dante Alighieri's dark epic poem The Inferno. Racing through such timeless locations as the Palazzo Vecchio, the Boboli Gardens, and the Duomo, Langdon and Brooks discover a network of hidden passageways and ancient secrets, as well as a terrifying new scientific paradigm that will be used either to vastly improve the quality of life on earth . . . or to devastate it. In his most riveting and thought-provoking novel to date, Dan Brown has raised the bar yet again. Inferno is a sumptuously entertaining read-a novel that will captivate readers with the beauty of classical Italian art, history, and literature . . . while also posing provocative questions about the role of show more
With the publication of his groundbreaking novels The Da Vinci Code, The Lost Symbol, and Angels & Demons, Dan Brown has become an international bestselling sensation, seamlessly fusing codes, symbols, art, and history into riveting thrillers that have captivated hundreds of millions of readers around the world. Now, with this stunning special illustrated edition of his record-setting Inferno, brought to life by more than 200 breathtaking color images, Dan Brown takes readers deep into the heart of Italy . . . guiding them through a landscape that inspired one of history's most ominous literary classics. "The darkest place in hell are reserved for those who maintain their neutrality in times of moral crisis." Harvard professor of symbology Robert Langdon awakens in a hospital in the middle of the night. Disoriented and suffering from a head wound, he recalls nothing of the last thirty-six hours, including how he got there . . . or the origin of the macabre object that his doctors discover hidden in his belongings. Langdon's world soon erupts into chaos, and he finds himself on the run in Florence with a stoic young woman, Sienna Brooks, whose clever maneuvering saves his life. Langdon quickly realizes that he is in possession of a series of disturbing codes created by a brilliant scientist-a genius whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written-Dante Alighieri's dark epic poem The Inferno. Racing through such timeless locations as the Palazzo Vecchio, the Boboli Gardens, and the Duomo, Langdon and Brooks discover a network of hidden passageways and ancient secrets, as well as a terrifying new scientific paradigm that will be used either to vastly improve the quality of life on earth . . . or to devastate it. In his most riveting and thought-provoking novel to date, Dan Brown has raised the bar yet again. Inferno is a sumptuously entertaining read-a novel that will captivate readers with the beauty of classical Italian art, history, and literature . . . while also posing provocative questions about the role of show more
Chapter 1
The memories materialized slowly . . . like bubbles surfacing from the darkness of a bottomless well.
A veiled woman.
Robert Langdon gazed at her across a river whose churning waters ran red with blood. On the far bank, the woman stood facing him, motionless, solemn, her face hidden by a shroud. In her hand she gripped a blue tainia cloth, which she now raised in honor of the sea of corpses at her feet. The smell of death hung everywhere.
Seek, the woman whispered. And ye shall find.
Langdon heard the words as if she had spoken them inside his head. “Who are you?” he called out, but his voice made no sound.
Time grows short, she whispered. Seek and find.
Langdon took a step toward the river, but he could see the waters were bloodred and too deep to traverse. When Langdon raised his eyes again to the veiled woman, the bodies at her feet had multiplied. There were hundreds of them now, maybe thousands, some still alive, writhing in agony, dying unthinkable deaths . . . consumed by fire, buried in feces, devouring one another. He could hear the mournful cries of human suffering echoing across the water.
The woman moved toward him, holding out her slender hands, as if beckoning for help.
“Who are you?!” Langdon again shouted.
In response, the woman reached up and slowly lifted the veil from her face. She was strikingly beautiful, and yet older than Langdon had imagined—in her sixties perhaps, stately and strong, like a timeless statue. She had a sternly set jaw, deep soulful eyes, and long, silver-gray hair that cascaded over her shoulders in ringlets. An amulet of lapis lazuli hung around her neck—a single snake coiled around a staff.
Langdon sensed he knew her . . . trusted her. But how? Why?
She pointed now to a writhing pair of legs, which protruded upside down from the earth, apparently belonging to some poor soul who had been buried headfirst to his waist. The man’s pale thigh bore a single letter—written in mud—R.
R? Langdon thought, uncertain. As in . . . Robert? “Is that . . . me?”
The woman’s face revealed nothing. Seek and find, she repeated.
Without warning, she began radiating a white light . . . brighter and brighter. Her entire body started vibrating intensely, and then, in a rush of thunder, she exploded into a thousand splintering shards of light.
Langdon bolted awake, shouting.
The room was bright. He was alone. The sharp smell of medicinal alcohol hung in the air, and somewhere a machine pinged in quiet rhythm with his heart. Langdon tried to move his right arm, but a sharp pain restrained him. He looked down and saw an IV tugging at the skin of his forearm.
His pulse quickened, and the machines kept pace, pinging more rapidly.
Where am I? What happened?
The back of Langdon’s head throbbed, a gnawing pain. Gingerly, he reached up with his free arm and touched his scalp, trying to locate the source of his headache. Beneath his matted hair, he found the hard nubs of a dozen or so stitches caked with dried blood.
He closed his eyes, trying to remember an accident.
Nothing. A total blank.
Think.
Only darkness.
A man in scrubs hurried in, apparently alerted by Langdon’s racing heart monitor. He had a shaggy beard, bushy mustache, and gentle eyes that radiated a thoughtful calm beneath his overgrown eyebrows.
“What . . . happened?” Langdon managed. “Did I have an accident?”
The bearded man put a finger to his lips and then rushed out, calling for someone down the hall.
Langdon turned his head, but the movement sent a spike of pain radiating through his skull. He took deep breaths and let the pain pass. Then, very gently and methodically, he surveyed his sterile surroundings.
The hospital room had a single bed. No flowers. No cards. Langdon saw his clothes on a nearby counter, folded inside a clear plastic bag. They were covered with blood.
My God. It must have been bad.
Now Langdon rotated his head very slowly toward the window beside his bed. It was dark outside. Night. All Langdon could see in the glass was his own reflection—an ashen stranger, pale and weary, attached to tubes and wires, surrounded by medical equipment.
Voices approached in the hall, and Langdon turned his gaze back toward the room. The doctor returned, now accompanied by a woman.
She appeared to be in her early thirties. She wore blue scrubs and had tied her blond hair back in a thick ponytail that swung behind her as she walked.
“I’m Dr. Sienna Brooks,” she said, giving Langdon a smile as she entered. “I’ll be working with Dr. Marconi tonight.”
Langdon nodded weakly.
Tall and lissome, Dr. Brooks moved with the assertive gait of an athlete. Even in shapeless scrubs, she had a willowy elegance about her. Despite the absence of any makeup that Langdon could see, her complexion appeared unusually smooth, the only blemish a tiny beauty mark just above her lips. Her eyes, though a gentle brown, seemed unusually penetrating, as if they had witnessed a profundity of experience rarely encountered by a person her age.
“Dr. Marconi doesn’t speak much English,” she said, sitting down beside him, “and he asked me to fill out your admittance form.” She gave him another smile.
“Thanks,” Langdon croaked.
“Okay,” she began, her tone businesslike. “What is your name?”
It took him a moment. “Robert . . . Langdon.”
She shone a penlight in Langdon’s eyes. “Occupation?”
This information surfaced even more slowly. “Professor. Art history . . . and symbology. Harvard University.”
Dr. Brooks lowered the light, looking startled. The doctor with the bushy eyebrows looked equally surprised.
“You’re . . . an American?”
Langdon gave her a confused look.
“It’s just . . .” She hesitated. “You had no identification when you arrived tonight. You were wearing Harris Tweed and Somerset loafers, so we guessed British.”
“I’m American,” Langdon assured her, too exhausted to explain his preference for well-tailored clothing.
“Any pain?”
“My head,” Langdon replied, his throbbing skull only made worse by the bright penlight. Thankfully, she now pocketed it, taking Langdon’s wrist and checking his pulse.
“You woke up shouting,” the woman said. “Do you remember why?”
Langdon flashed again on the strange vision of the veiled woman surrounded by writhing bodies. Seek and ye shall find. “I was having a nightmare.”
“About?”
Langdon told her.
Dr. Brooks’s expression remained neutral as she made notes on a clipboard. “Any idea what might have sparked such a frightening vision?”
Langdon probed his memory and then shook his head, which pounded in protest.
“Okay, Mr. Langdon,” she said, still writing, “a couple of routine questions for you. What day of the week is it?”
Langdon thought for a moment. “It’s Saturday. I remember earlier today walking across campus . . . going to an afternoon lecture series, and then . . . that’s pretty much the last thing I remember. Did I fall?”
“We’ll get to that....
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