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The Last Hack: A Jack Parlabane Thriller - Hardcover

Brookmyre, Christopher

 
9780802126948: The Last Hack: A Jack Parlabane Thriller

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The Last Hack is vintage Brookmyre—equal parts adrenaline and empathy, a plot that opens out like a Japanese flower dropped in hot water, and characters so real you want to reach through the page and save them.”—Diana Gabaldon

Published in the UK as Want You Gone

There are no women on the Internet. It is one of the cardinal rules of hacking, and not since Lisbeth Salander famously violated it in Stieg Larsson's Millenium series has the maxim been so compellingly broken as in The Last Hack, the new Jack Parlabane thriller from one of the smartest minds in crime fiction, Christopher Brookmyre.

Sam Morpeth has had to grow up way too fast. Left to fend for a younger sister with learning difficulties when their mother goes to prison, she is forced to watch her dreams of university evaporate. But Sam learns what it is to be truly powerless when a stranger begins to blackmail her online. Meanwhile, reporter Jack Parlabane seems to have finally gotten his career back on track with a job at a flashy online news start-up, but his success has left him indebted to a volatile source on the wrong side of the law. Now that debt is being called in, and it could cost him everything. Thrown together by a common enemy, Sam and Jack are about to discover they have more in common than they realize—and might be each other's only hope.

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Über die Autorin bzw. den Autor

Christopher Brookmyre was a journalist before publishing his award-winning debut, Quite Ugly One Morning. He is the author of the Jack Parlabane thriller series, which has sold more than one million copies in the UK alone, and the acclaimed Jasmine Sharp and Catherine McLeod novels. He has won many awards for his work, including the McIlvanney Prize for Best Scottish Crime Novel of the Year, the Bollinger Everyman Wodehouse Prize, and the Glenfiddich Spirit of Scotland Award.

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The Last Hack

A Jack Parlabane Thriller ...

By Christopher Brookmyre

Grove Atlantic, Inc.

Copyright © 2017 Christopher Brookmyre
All rights reserved.
ISBN: 978-0-8021-2694-8

Contents

Cover,
Also by Christopher Brookmyre,
Title Page,
Copyright,
Dedication,
The Bitter End,
Part One,
Cell Binding (I),
The Reader,
Villains,
Telephone Banking,
The Tomorrow People,
The Usual Reasons,
A Good Walk Spoiled,
Life in Captivity,
The Last to Know,
High Jinks and Exploits,
The Makeover,
Secret Selves,
Summoning the Devil,
One Man's Trash,
Online Predator,
The Walk of Shame,
When Worlds Collide,
The Call,
Dangerous Circles,
Unnamed Source,
The Reckoning,
War Fair,
Part Two,
Monitors,
Remote Access Trojan,
No Picnic,
Adversaries,
Data Cache,
Challenge Accepted,
Make-Believe,
Dressed for Success,
Buried Treasure,
Responsible Behaviour,
Collateral Damage,
Hands-on Policy,
Covert Surveillance,
File Transfer Protocol,
Sins of the Past,
Hidden Powers,
Hostage Situation,
Keyboard Player,
Railroaded,
Aspect of the Demon,
Twixt Cup and Lip,
Pressing Engagement,
Outside Influence,
Camera Shy,
Unwanted Guest,
Mixed Messages,
Prize Possession,
Part Three,
Windows Update,
Murder in the Dark,
Revelations,
Cold Logic,
Containment,
Multitasking,
Escape Key,
File not Found,
Stolen Goods,
Missing Party,
Breakfast Television,
Cancelled Flight,
Thrown to the Wolves,
Bound,
Airport Parking and Other Modern Robberies,
The Penitent,
Target in Sight,
Deadly Tension,
Reckless Youth (I),
Reckless Youth (II),
Loyalties,
Facial Recognition,
Fidelity and Betrayal,
Breaking Story,
Game-Changer,
Extreme Methods,
Phantoms,
Market Forces,
Parked Outside,
By Appointment Only,
Trading Futures,
Dead to Rights,
Life Hack,
Playing to the Gallery,
Cell Binding (II),
Decoded,
Conditional Offers,
Rekt,
Final Showdown,


CHAPTER 1

CELL BINDING (I)


I was always afraid that this story would end with me in prison. Turns out I was right.

Not exactly a major spoiler though, is it? I mean, we both already know that part, so it's how I got here that really matters.

I'm going to tell you everything, and I'm not going to hold back to spare anyone's feelings. I have to be totally honest if I'm looking for honesty in return. I'll warn you up front, though. Much of what I'm about to say is going to be difficult for you to hear, but there are things about me that I need you to understand. You're not going to like me for some of what I did and said, and the way you personally come across isn't always going to be flattering either, but it's important that you get a handle on how everything looked from my point of view.

It doesn't mean I feel that way now, or that I was right to think what I did back then. It's just how it was, you know?

There are a lot of places I could start, but I have to be careful about that. Certain choices might imply I'm pointing the finger, and I'm not. I know who's to blame for everything that happened. No need for any more deceptions on that score. So I'm not going right back to childhood, or to when my dad died, or even to when the police raided the flat and found a shitload of drugs and a gun. Because this isn't about any of that stuff, not really. To me, this all starts a few weeks ago, with me sitting in a waiting room, looking at a human time-bomb.

CHAPTER 2

THE READER


I know the man is going to explode several minutes before the incident takes place. It is only a matter of time.

He is sitting opposite me in the waiting area, shifting restlessly on the plastic bench, his limbs in a state of constant motion: sudden jerks and twitches beating out a code I can read only too clearly. His head is an unkempt ball of hair, his matted locks merging with enough beard to kit out a whole bus full of hipsters. He looks across at me every few seconds, which makes me scared and uncomfortable, though I know he's not picking me out specifically. His eyes are darting about the room the whole time, not alighting on a single sight for more than a second, like a fly that won't land long enough to be swatted.

I am afraid of catching his eye, so I keep my gaze above him, where a row of posters glare back at me from the wall. They all seem intended to threaten, apart from the ones encouraging people to grass on their neighbours. 'We're closing in,' says one. 'Benefit thieves: our technology is tracking you,' warns another. 'Do you know who's following you?' asks a third. They feature images of people photographed from above at a steep angle, making them look tiny and cornered as they stand on concentric circles. To drive the point home, another poster shows an arrow thwocking into a bullseye: 'Targeting benefit fraudsters'.

I have done nothing wrong but I feel guilty and intimidated. I feel like a criminal simply for being here. I have rehearsed what I am going to say, gone over it and over it in front of the bedroom mirror. I know my arguments, and have tried to anticipate how the officials might respond. I was feeling ready when I left the house, coaching myself all the way here, but now I think I've got no chance. I'm wasting my time. I want to leave, want to run, but I can't. I need the money. I desperately need the money.

I glance towards the counter. Above the woman on reception there is a poster stating 'In the UK illegally? Go home or face arrest.' Bold text proudly announces there were '86 arrests last week in this area'. There are no people on this poster, but if there were, I know what they would look like. They would look like me.

One nation, I think. The Big Society.

I know the poster they'd really like to print. It would say: 'Are you white enough to live here? If not, fuck off back to Bongo Bongo Land.'

A woman emerges from the interview rooms and shuffles towards the exit without looking up. I can tell things didn't go well for her. She is followed shortly by one of the staff: a grey-haired white bloke.

There is also a Chinese woman doing interviews. It's already half an hour after my appointment, and both she and Grey Hair have each come out a couple of times since I arrived. I've been watching them very carefully.

I hope I get the Chinese lady. She seems relaxed, if a little tired. The grey-haired guy is like a coiled spring.

He calls out a name and the twitchy bloke opposite stands up. He walks towards the interview rooms, following Grey Hair, who has barely looked at him. Part of me is pleased that Grey Hair is now occupied, as I must surely be due in next, but the part of me that reads people knows something bad is about to happen.

The Chinese lady comes out again and I sit up straighter in my chair, willing my name to be called. It isn't.

More people drift in and take up the empty spaces on the benches. There has to be a dozen people in here, and the only one talking is a woman in the corner trying to stop her toddler from kicking off. But, to me, there is a growing cacophony in the room, ratcheting up my anxiety. They ain't saying anything, but I can sense all of their tension, anger,...

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