NOW A MAJOR MOTION PICTURE STARRING JODIE COMER
“Engrossing, compelling.” — Naomi Alderman, author of The Power
“I was moved, terrified, uplifted – sometimes all three at once.” — Tracy Chevalier, author of Girl With a Pearl Earring
Publishing in the US to a wave of critical acclaim and nominations for two major literary prizes, Megan Hunter’s internationally bestselling, extraordinarily poetic debut novel imagines new motherhood in the midst of an all-too-possible climate change catastrophe. A startlingly beautiful story of a family's survival, The End We Start From is a searing original, a modern-day parable of rebirth and renewal, of maternal bonds, and the instinct to survive and thrive in the absence of all that’s familiar.
As London is submerged below floodwaters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place. Their journey traces fear and wonder as the baby grows, thriving and content against all the odds.
The End We Start From is an indelible and elemental first book—a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of ungovernable change.
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Megan Hunter was born in Manchester in 1984, and now lives in Cambridge with her young family. She has a BA in English Literature from Sussex University, and an MPhil in English Literature: Criticism and Culture from Jesus College, Cambridge. Her poetry has been shortlisted for the Bridport Prize and she was a finalist for the Aesthetica Creative Writing Award with her short story "Selfing." The End We Start From is her first book.
* * *
I am thirty-two weeks pregnant when they announce it: the water is rising faster than they thought. It is creeping faster. A calculation error. A badly plotted movie, sensors out at sea.
We hide under the duvet with a torch like children. I ask R if he still would have done it. If he had known. He doesn’t answer.
He shines the torch up into the duvet and makes his fingers into ducks. I decide to take that as a yes.
* * *I am a geriatric primigravida, but I don’t look it.
We have leather sofas. R spills takeaway on them and grins: wipe clean.
I am thirty-eight weeks when they tell us we will have to move. That we are within the Gulp Zone.
I say whoever thought of that name should be boiled in noodles. R spends all night on the same property website. It is loading very slowly.
* * *Man came from a germ. From this germ we fashioned him, from clot to bones to thick flesh. We stood him up on one end, a new creation.
* * *J phones an ambulance and S looks out of the window palely.
I gaze at the wooden floor. I have never noticed how beautiful it is before.
It is perfectly dusk-coloured, and the whorls are rising like dark little planets through its glow.
Between the waves of disembowelling wrench the world is shining. I feel like Aldous Huxley on mescaline. I am drenched in is-ness.
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