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For her part, my mother never seemed to mind the erratic schedule or to resent the other wives in our neighborhood, the ones whose husbands came home each night in time for supper, and though I admired my father very much, though I wanted to pilot a tugboat of my own one day, I minded on her behalf. When he wasn't on the water, my mother fussed over him, cobbling his favorite meals together, despite the rations, rubbing his feet while he read the paper, wearing her hair the way he liked, pressing a finger to her lips to make sure I didn't wake him in the morning. Then, in what seemed no time at all, my father would pack his grip and vanish from our lives again, the only proof of his existence dry whiskers in the sink and an extra pillow on my mother's bed.
My mother had been a secretary before she married, and during the war, she took piecemeal work for extra money, mostly papers for students at the Jesuit college in our town. Nights, she'd set her typewriter, a 1938 Corona Portable, on the kitchen table after dinner, and I'd linger over the dishes as a pretext to watch her. My mother was pretty all the time but her face in concentration was mesmerizing, lips pursed, eyebrows knitted. Her fingers flashed over the keys. It was my mother who taught me how to type. The trick, she told me, was to forget about your hands. I allowed these lessons only on nights when my father was away. She gave me scripture to practice on. Blessed are the poor of spirit and For now we see through a glass darkly and so forth. She was not an overtly religious woman-I never saw her cross herself outside of mass-but we attended services every Sunday, sometimes with my father, sometimes not, depending on his work schedule and his mood, and though I quit church in the army, I never did manage to shake what I would call a spiritual inclination.
Every so often, when my father was gone and my mother was lonely and sleep eluded her, she'd slip down the hall to my room and ask me to scoot over on my bed. I'd sigh and grumble out of a kind of teenage sense of obligation, but the truth is I didn't mind. She'd curl up with her chest against my back, her knees in the crooks of mine, her hands pressed together, as if in prayer, between my shoulders.
Our secrets: my typing lessons and her nights in my bed.
Looked back on, those days seem happy enough, all things considered. I had plenty of friends and I chased my share of girls without success. Before the war, the biggest thing to happen in my life was when Alabama whipped Stanford in the Rose Bowl. That was part of the problem, I suppose. I enlisted three days after graduation. Did my basic at Fort Benning. Got married two weeks before I shipped overseas. She was seventeen years old, one of those girls who made bandages for the Red Cross and danced with soldiers at the USO, and I was one of those soldiers headed off to war. Near the end of basic training, an assignments officer asked if I had any special talents. At first I could think of nothing, and we just kept looking at each other. Finally, I remembered I could type. I shipped out eighteen months before we dropped the bomb, my life so far receding, my life to come spreading out before me big as the ocean. I was attached to the Officers Personnel Section, a sort of military secretarial pool, of General MacArthur's headquarters, first in Brisbane, then Manila. In September 1945, a month after the surrender, the whole operation was relocated to Tokyo, where the story that I want to tell begins.
(Continues...)
Excerpted from The Typistby Michael Knight Copyright © 2010 by Michael Knight. Excerpted by permission.
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