In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.
The sixteen essays in this collection were originally presented at an international conference entitled `Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art.
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Will Straw is an associate professor in and chair of the Department of Art History and Communication Studies at McGill University.
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Zustand: New. This volume answers some important new questions about the points of intersection between theory and visual art. Editor(s): Berland, Jody; Straw, Will; Tomas, David. Num Pages: 322 pages, black & white illustrations. BIC Classification: ABA; DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 203 x 127 x 21. Weight in Grams: 390. . 1996. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780802076571
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