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In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory. The sixteen essays in this collection were originally presented at an international conference entitled `Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art.Biografía del autor:
Will Straw is an associate professor in the Department of Art History and Communication Studies at McGill University.
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Buchbeschreibung University of Toronto Press, Toronto, 1996. Softcover. Buchzustand: Sehr gut. 200 x 125 mm. 322 p. Gutes Leseexemplar. Artikel-Nr. 080123