Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting
In the late nineteenth century, corporate managers began to rely on photography for everything from motion studies to employee selection to advertising. This practice gave rise to many features of modern industry familiar to us today: consulting, "scientific" approaches to business practice, illustrated advertising, and the use of applied psychology.
In this imaginative study, Elspeth H. Brown examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing, among others, the work of Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.
Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting
The Corporate Eye examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing the work of, among others, Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Elspeth H. Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject itself.
"A highly welcome contribution to the field of business history as well as American visual culture."—Business History Review
"This highly readable, interdisciplinary book provides insights into both the history of American economic development and the history of photography."—Patricia Johnson, Afterimage
"A unique and interdisciplinary analysis of the intersection between visual and commercial culture in the USA."—History of Photography
"The Corporate Eye is American studies and interdisciplinary cultural history at its best."—Journal of American History
"This is a book whose 'big picture' is fully in focus."—Technology and Culture
"Meticulous research and rich contextualization... A welcome and imaginative addition to the history of visual technologies and commercial history."—Industrial Archaeology
Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.
Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting
The Corporate Eye examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing the work of, among others, Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Elspeth H. Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject itself.
A highly welcome contribution to the field of business history as well as American visual culture.--Business History Review
This highly readable, interdisciplinary book provides insights into both the history of American economic development and the history of photography.--Patricia Johnson, Afterimage
A unique and interdisciplinary analysis of the intersection between visual and commercial culture in the USA.--History of Photography
The Corporate Eye is American studies and interdisciplinary cultural history at its best.--Journal of American History
This is a book whose 'big picture' is fully in focus.--Technology and Culture
Meticulous research and rich contextualization . . . A welcome and imaginative addition to the history of visual technologies and commercial history.--Industrial Archaeology
Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.
--Philip Scranton, series editor, Studies in Industry and Society "Industrial Archaeology"„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780801880995. Artikel-Nr. 5962924
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780801880995. Artikel-Nr. 8624397
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Zustand: New. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well. Series: Studies in Industry and Society. Num Pages: 348 pages, 75, 75 black & white halftones. BIC Classification: 1KBB; 3JH; 3JJC; AJR; KJ. Category: (G) General (US: Trade). Dimension: 229 x 152 x 26. Weight in Grams: 658. . 2005. Hardback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780801880995
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Gebundene Ausgabe. Zustand: Gut. VIII, 334 S. Illustration(en) In English language. Clothbound with illustrated dust-jacket. Boards slightly bumped, otherwise in very good condition. + + + Original-Leineneinband m. illustr. Schutzumschlag. Einband tls. leicht bestoßen, sonst textsauber und sehr gut erhalten. Keine Besitzvermerke. 9780801880995 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 576 en, Includes bibliographical references and index. Artikel-Nr. 44996
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