"That science-fiction future in which technology would make everything very good—or very bad—has not yet arrived. From our vantage point at least, no age appears to have had a deeper faith in the inevitability and imminence of such a total technological transformation than the early twentieth century. Russia was no exception."—from the introduction
In the Soviet Union, it seems, armoring oneself against the world did not suffice—it was best to become metal itself. In his engaging and accessible book, Rolf Hellebust explores the aesthetic and ideological function of the metallization of the revolutionary body as revealed in Soviet literature, art, and politics. His book shows how the significance of this modern myth goes far beyond the immediate issue of the enthusiasm with which the Bolsheviks welcomed such a symbolic transfiguration and that of our own uneasy attraction to the images of metal flesh and machine-men.
Hellebust's literary examples range from the famous (Pasternak's Doctor Zhivago) to the forgotten (early Soviet proletarian poets). To these he adds a mix of non-Russian references, from creation myths to comic book superheroes, medieval alchemy to Moby-Dick. He includes readings of posters, sculpture, and political discourse as well as cross-cultural comparisons to revolutionary France, industrial-age America, and Nazi Germany. The result is a fascinating portrait of the ultimate symbols of dehumanizing modernity, as refracted through the prism of utopian humanism.
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Rolf Hellebust is Associate Professor in the Department of Germanic, Slavic, and East Asian Studies at the University of Calgary.
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0801488923I4N10
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: Very Good. Num Pages: 240 pages, 15. BIC Classification: 1DVU; 3JJ; DSBH; JFC; JPFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 151 x 16. Weight in Grams: 340. Paperback in good to very good condition. Some shelf wear. 2003. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. KRF0020558
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Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: Very Good. Num Pages: 240 pages, 15. BIC Classification: 1DVU; 3JJ; DSBH; JFC; JPFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 151 x 16. Weight in Grams: 340. Paperback in good to very good condition. Some shelf wear. 2003. Paperback. . . . . Artikel-Nr. KRF0020558
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. illustrated edition. 240 pages. 8.75x6.00x0.75 inches. In Stock. Artikel-Nr. x-0801488923
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Anbieter: moluna, Greven, Deutschland
Zustand: New. That science-fiction future in which technology would make everything very good-or very bad-has not yet arrived. From our vantage point at least, no age appears to have had a deeper faith in the inevitability and imminence of such a total.Klappen. Artikel-Nr. 867667169
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Hellebust's literary examples range from the famous (Pasternak's 'Doctor Zhivago') to the forgotten (early Soviet proletarian poets). To these he adds a mix of non-Russian references, from creation myths to comic book superheroes and medieval alchemy to Moby-Dick. He includes readings of posters, sculpture and political discourse as well as cross-cultural comparisons to revolutionary France, industrial-age America and Nazi Germany. The result is an insightful portrait of the ultimate symbols of dehumanizing modernity, as refracted through the prism of utopian humanism. Artikel-Nr. 9780801488924
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