Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, and Joy Kogewa (Reading Women Writing) - Softcover

"The equation of silence and passivity, and the stereotypical ascription of those characteristics onto Asian Americans has long plagued the lives of Asians in America.... Cheung challenges and effectively deconstructs this stereotype by complicating the very notion of silence as represented in the work of writers Hisaye Yamamoto, Maxine Hong Kingston, and Joy Kogawa.... In this challenge to Eurocentric and simplistic celebrations of speech over silence, King-kok Cheung has opened up diverse avenues of study with unlimited potential for further examination and theorization that will surely move Asian American studies into new and productive directions." -- Kandice Chuh * International Examiner Literary Supplement * "King-Kok Cheung's Articulate Silences remains a persuasive, gracefully written, and timely study. Her meticulous and insightful close readings will go a long way toward establishing the craftsmanship of Asian American writers, which unfortunately is still grossly underappreciated." -- San-Ling Cynthia Wong, University of California Berkeley * American Quarterly *

In this pathbreaking book, King-Kok Cheung sheds new light on the thematic and rhetoncal uses of silence in fiction by three Asian American women: Hisaye Yamamoto, Maxine Hong Kingston, and JoyKogawa. Boldly articulating the unspeakable, these writers break the silence imposed by families or ethnic communities and defy the dominant culture that suppresses the voicing of minority experiences. Yet at the same time, they demonstrate how silences-voiceless gestures, textual ellipses, authorial hesitations-can themselves be articulate. Drawing on theoretical works on women's writing, on ethnicity and race, and on postmodernism and history, Cheung takes issue with Anglo-American feminists who valorize speech unequivocally and with revisionist Asian American male critics who attempt to refute Orientalist stereotypes by renouncing silence. She challenges Eurocentric views of speech and silence as polarized, hierarchical, and gendered, and proposes an approach to Asian American literature which overturns the "East-West" or "dual personality" model. Yamamoto, Kingston, and Kogawa interweave speech and silence, narration and ellipses, autobiography and fiction as they adapt and recast Asian and Euro-American precursors. Drawing freely from both traditions, they reinvent the past by decentering, disseminating, and interrogating authority-but not by reappropriating it. A fresh and subtle response to issues relating to cultural diversity, Articulate Silences will be important reading for scholars and students in the fie,4s of literary theory and criticism, women's studies, Asian American studies, and ethnic studies.