This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive.
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Stacy Phillips is a recognized authority on the subject of the resophonic guitar's history, players, and literature. Through his numerous workshops and Mel Bay Publications books, he has done much to educate novice players of this instrument, playing a central role in its resurgence in popularity. He has published twenty books on various aspects of Dobro® and fiddle playing that are acknowledged as the standards in their fields. He has undertook the major musicological project of researching and bringing to light the delightfully spirited Klezmer tradition. Stacy currently tours with the Stacy Phillips Duet. He has two solo albums and has performed and/or recorded with Peter Rowan, Leon Redbone, Dave Brombert, Mark O'Connor, and Bela Fleck.
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