Frank Vignola- Building Guitar Finger Strength: and 26 Different II-5-I Progressions (Bill’s Music Shelf) - Softcover

Vignola, Frank

9780786613618: Frank Vignola- Building Guitar Finger Strength: and 26 Different II-5-I Progressions (Bill’s Music Shelf)

Softcover

ISBN 10: 0786613610 ISBN 13: 9780786613618

Verlag: Mel Bay Publications, Inc., 2010

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In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength!

In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii-V-I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions. Includes access to online audio.

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Rese�a del editor

In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength! In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii - V - I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions.

Biograf�a del autor

Frank Vignola is considered to be among the top rank of guitarists on the music scene today. Born on December 30, 1965, in Long Island, New York, he began playing guitar at the age of five. As his proficiency grew, he spent many hours listening to the music of legendary guitarists, Django Reinhardt, Joe Pass, and Johnny Smith. Frank not only gained a spiritual sort of inspiration from these guitarists recordings, he also made an intricate study of the complexities of these guitar masters styles, slowing down his records to analyze many a solo. Frank’s first teacher was his father, a semi-professional banjo player. Later, Frank became the star pupil of guitarist Jimmy George, who was one of the original Dion and the Belmonts. At age 12, Frank took up the tenor banjo and swiftly burst upon the music scene in a way that would portend many of the accolades and milestones to come in his career as a jazz guitarist. Though obviously steeped in the traditional schools of jazz, especially in the formative years, Frank would ultimately take inspiration from a wide arc of the musical spectrum. Guitarists such as Django, Charlie Christian, Wes Montgomery and Lonnie Johnson are obvious influences, but one might be surprised to learn that rocker Jimi Hendrix has also received the close scrutiny of Frank’s ear. Louis Armstrong, Lester Young, Thelonius Monk, Charlie Parker, Sonny Stitt, Antonio Carlos Jobim, Thad Jones and Duke Ellington have all had inspirational impact on the music of Frank Vignola. While still in his teens, Frank experienced the most effective music education possible—right on the bandstand as a working musician. Soon named among the top ranked musicians in New York, Frank performed and toured with such headliners as Max Morath and Leon Redbone. At age 23, he decided to lead his own group and formed his version of the famed Quintet of the Hot Club of France. Their debut at the New York cabaret, Michael’s Pub, was a smash success and launched his career as a guitarist ‘in the spotlight.’ Tours of Europe, recording sessions, and an exclusive recording contract with the Concord Jazz label would all follow in short succession in a few short years. Frank would perform and/or record with such varied artists as Chet Atkins, Madonna, Jon Faddis, Woody Allen, Ringo Starr, Manhattan Transfer, Frank Wess, Elvin Jones, Lionel Hampton and countless legends from the golden age of jazz.

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Verlag: Mel Bay Publications, Inc.
Erscheinungsdatum: 2010
Sprache: Englisch
ISBN 10: 0786613610
ISBN 13: 9780786613618
Einband: Tapa blanda
Anzahl der Seiten: 36
Kontakt zum Hersteller: Nicht verf�gbar
Verantwortliche Person: Purmerul LTD
https://strengholt.nl/en/

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