In this richly illustrated book, Margot Francis explores how whiteness and Indigeneity are articulated through four icons of Canadian identity -- the beaver, the railway, the wilderness of Banff National Park, and “Indianness” -- and the contradictory and contested meanings they evoke. These seemingly benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with the work of contemporary Canadian artists, she investigates how everyday objects can be re-imagined to challenge ideas about history, memory, and national identity.
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Margot Francis is an associate professor ofwomen's studies and sociology at Brock University.
In this richly illustrated book, Margot Francis explores how
whiteness and Indigeneity are articulated through four icons of
Canadian identity -- the beaver, the railway, the wilderness of Banff
National Park, and "Indianness" -- and the contradictory
and contested meanings they evoke. These seemingly benign, even
kitschy, images, she argues, are haunted by ideas about race,
masculinity, and sexuality that circulated during the formative years
of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with
the work of contemporary Canadian artists, she investigates how
everyday objects can be re-imagined to challenge ideas about history,
memory, and national identity.
In this richly illustrated book, Margot Francis explores how
whiteness and Indigeneity are articulated through four icons of
Canadian identity -- the beaver, the railway, the wilderness of Banff
National Park, and "Indianness" -- and the contradictory
and contested meanings they evoke. These seemingly benign, even
kitschy, images, she argues, are haunted by ideas about race,
masculinity, and sexuality that circulated during the formative years
of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with
the work of contemporary Canadian artists, she investigates how
everyday objects can be re-imagined to challenge ideas about history,
memory, and national identity.
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Gebunden. Zustand: New. This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past.KlappentextrnrnMargot Franc. Artikel-Nr. 594984298
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Buch. Zustand: Neu. Neuware - Creative Subversions explores how whiteness and Indigeneity are articulated through images of Canadian identity -- and the contradictory and contested meanings they evoke. These benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood.In this richly illustrated book, Margot Francis shows how national symbols such as the beaver, the railway, the wilderness of Banff National Park, and ideas about 'Indianness' evoke nostalgic versions of a past that cannot be expelled or assimilated. Juxtaposing historical images with material by contemporary artists, she investigates how artists are giving these taken-for-granted symbols new and suggestive meanings. Artikel-Nr. 9780774820257
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Zustand: New. This book explores how whiteness and Indigeneity are articulated through commonplace symbols of Canadian identity and how the work of contemporary artists is subverting these nostalgic accounts of the past. Num Pages: 288 pages, ill. BIC Classification: 1KBC; JFC; JHB. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 23. Weight in Grams: 456. . 2011. Illustrated. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780774820257
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