Quick, Before the Music Stops: How Ballroom Dancing Saved My Life - Hardcover

Carlson, Janet

 
9780767926829: Quick, Before the Music Stops: How Ballroom Dancing Saved My Life
Hardcover
ISBN 10: 076792682X ISBN 13: 9780767926829
Verlag: Broadway Books, 2008

Inhaltsangabe

A one-time competitive ballroom dancer describes how she left performing to raise a family and pursue a more "suitable" profession, until twenty years later she rediscovers the joy, confidence, emotional security, trust, and wonder that dancing evokes.

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Über die Autorin bzw. den Autor

JANET CARLSON is the health and beauty director at Town & Country magazine, and has written for O, The Oprah Magazine, Elle, Redbook, and other publications. She lives in Westchester County, New York.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

1
A Cold Day for Marriage,
February 2001

It's a bitterly cold morning in Hastings-on-Hudson, and I can see my breath in the car as I say, "Seat belts," and listen for clicks in the backseat of our gold Buick LeSabre sedan (not exactly our vehicular style--we try to be much more modern and hip as a rule, but it came cheap). Our two daughters comply. Peter backs the car out of the driveway.

"Did anyone feed the rabbit?" I ask.

"Yes, I gave him hay and pellets," says Alden, only eight and so responsible. I glance back at Lucky's hutch by the trash bin. "I hope his water's not frozen." We drive the two blocks to drop off Erica at Hillside Elementary School. I watch as she climbs out lugging her turquoise backpack that's almost as big as she is. "Remember, number one rule at school, don't have any fun," I tease.

"Ma-a-a," Erica groans as usual, fighting a smile as I look into her blueberry eyes, and she slams the door as hard as she can. I see the window frost splinter.

"These brakes suck," Peter says as we drive down the hill to the middle school. "You should have Tom check them. This car has to last. We can't afford two lease payments."

I think of several responses, but don't feel like wasting the energy it would take to choose between them and deliver one. The silence doesn't feel awkward anymore. Though I'm wearing my heavy sheepskin coat, the cold has seeped into my bones and I tense against it as if I can fight it off. I slowly inhale as deeply as I can but an involuntary shudder interrupts the breath before it can find its way in.

"Mom, we have to go to the library tomorrow to do my research on Ecuador, don't forget," Alden says sternly. I hear the worry in her voice and want to reassure her.

"Okay, honey. When is the project due?"

"February twenty-sixth."

"Odie, that's two weeks from now," Peter protests, using his affectionate nickname for Alden. To me he says under his breath, grinning in my direction, "She's not my daughter." I look at him in his black shearling, thick and worn almost to gray. His hair is mostly black, but I can see a few more grays at the temple now--still, not bad for forty-seven. I notice he isn't wearing a hat or gloves. He holds the steering wheel like a teacup, elegantly, with just his thumbs and pointer fingers.

In a couple of minutes, he pulls to a stop in front of Farragut Middle School, where Alden will meet her class for an orientation meeting. She'll be switching to this school next year. Alden steps out and turns to utter her usual blasé good-bye. I can tell from the tiniest difference in her voice that she's battling some nerves. Then I notice she is dressed only in a pullover and sweatpants, and no hat, her light-brown fusilli curls pulled back in a tight ponytail as usual.

"Take your jacket, honey; it's really cold today," I say, passing her puffy red ski parka through the open window.

"I hate wearing this," Alden says, taking it from me anyway. "I mean, it's a nice jacket and everything, I just feel big and fat in it. I'll carry it." I wonder how painful it is for her to be so cooperative and concerned for my feelings--I chose the jacket at the Gap and clearly picked the wrong one.

"Will you be home at the regular time?" she asks before turning to go.

"Yes," I answer. "Actually, I'll pick you up from horseback riding."

"Oh, yeah, good." She looks over. "Bye, Dad."

We head up Farragut toward the Saw Mill Parkway. Peter turns on the radio and jabs a button just as I feared. I hear Howard Stern's voice, my cue to get out my headphones. I like driving in alone, I think, feeling a little guilty. I flip through my CD holder and choose Frank Sinatra, Shania Twain, and the new Norah Jones. Howard is asking some bimbo about her breast implants, so I move faster with numb fingers trying to get the headphones on without messing up my hair, determined to prevent the shock jock from contaminating my hard-won and fragile morning peace.

The old Buick, still cold, protests metallically as Peter accelerates onto the parkway southbound toward Manhattan. I look out my window at the geese on the bank of the Saw Mill River and let Norah Jones's voice locate my secret life. Come away with me . . .

Norah is just one of my escape hatches. I don't see it yet, but I will find several other escape hatches for myself over the coming years. I didn't always escape; I used to have a knack for facing things head on. But I guess I've lost my inclination to stand and fight, or stand and defend, or stand and care, love, challenge, implore, believe. I escape--into Norah's world for the moment, lulled by her voice. I wriggle out of the predicament. So much easier than persisting and declaring, "Peter, stop--let's stop this nonsense. Let's be together. Let's love each other."

But it all started so promisingly, as most marriages do. And sweetly. Do you know? That sweetness? The story of Peter and me meeting is nothing if not sweet and promising.

I was thirty-three and sick of being alone in my austere apartment on New York's Upper East Side. Sick of waking up on a Saturday morning and tidying up and going to the gym and taking extra long in the shower because I had nowhere to be next. Sick of eating alone in my apartment: round food--bagels, oranges, hard-boiled eggs (everything round, a random and meaningless coincidence or symbols of my ovaries ticking, urging me to find a mate?).

One Friday evening in April of 1988, wiped out from a full week's work, I forced myself to go to Donna's cocktail party. Hugh, my ballet date, my gay friend, said he'd go with me. Donna was a magazine editor; she worked at New Woman. Peter was dating Ellie, a sex therapist who had her own radio show, and she was a friend of Donna's. My sister, Alison, was invited, too.

When Hugh and I arrived at Donna's apartment, we chatted together a bit, then mingled separately. I spied Ali in a corner of the living room, and I went up to say hi. "Hey, Janet," she said. "This is Peter. Peter, this is my sister Janet. I'm prettier and younger, but she's smarter." That was part of our sister act. I smiled. Peter tilted his head to one side, lowered his eyes in a kind smile, and extended his hand to shake mine, and I fell into a deep crush right then and there.

We talked, Ali, Peter, and I, and we monopolized the crudités tray. Ali and I were a little silly and shamelessly flirtatious; whenever my gregarious kid sister and I had a chance to perform socially, we'd be unabashed and our chatter and repartee would get more outrageous as we worked our audience. Peter seemed to enjoy it, and he played right along, nonplussed--or as he would say, non-pulsed. At some point, he let us know he was a photographer. His client list was impressive: New York Times, Business Week, Newsweek. Later, he introduced Ellie. I found her intimidating. Ali and I left together at midnight. On the street, I said, "Wow, he was cute."

"Who?" Ali asked. She had a boyfriend at the moment, so I knew she wasn't interested herself. "Oh, Peter? He's not your type."

Well, that's for sure. Because of my job at European Travel & Life magazine, I was used to dating suave European men in shiny suits, some with names like Count Gelasio Gaetani Lovatelli d'Aragona. Actually, he was a friend, not a date, but you get the idea of the crowd I'd been hanging out with--wealthy, sophisticated, worldly, treacherous men. French, Italian, Austrian, didn't matter, they were all dangerous, and invariably neglected to mentioned that they were married.

Meeting...

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Verlag
Broadway Books
Erscheinungsdatum
2008
Sprache
Englisch
ISBN 10 
076792682X
ISBN 13 
9780767926829
Einband
Gebundene Ausgabe
Auflage
1
Anzahl der Seiten
259
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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