The Fabulous Girl's Guide to Decorum (Rough Cut) - Softcover

Izzo, Kim; Marsh, Ceri

 
9780767910101: The Fabulous Girl's Guide to Decorum (Rough Cut)
Softcover
ISBN 10: 0767910109 ISBN 13: 9780767910101
Verlag: Broadway Books, 2001

Inhaltsangabe

A smart, savvy, and highly comtemporary guide to generating Audrey Hepburn-esque chic and poise in any situation addresses a vast array of issues relevant to urban life, including careers, friendships, families, entertaining, socializing, romance, and sex, providing practical advice for handling any predicament with grace, style, and confidence. Original.

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Über die Autorin bzw. den Autor

Kim Izzo is the features editor at Canada’s Flare magazine and frequently contributes to other major fashion publications. Previously, she worked as a field producer for “Entertainment Tonight” and “Access Hollywood.” Ceri Marsh is the fashion news director at Fashion magazine. Friends since college, Izzo and Marsh write a weekly etiquette column, “Urban Decorum,” for Canada’s national newspaper, The Toronto Globe and Mail. They have been guests on numerous radio and television programs and live in Toronto, Canada.

Aus dem Klappentext

Good manners will make you fabulous. Good manners will make you sexy. The well-mannered get invited to more dinner parties, see their career aspirations blossom, and have a wider array of friends and eligible suitors. So if you want to become your most fabulous self, read on The Fabulous Girl s Guide to Decorum is your ticket to becoming the girl you want to be.

Authors Kim Izzo and Ceri Marsh know first-hand that today s young women require etiquette advice that speaks to their modern sensibilities. Yes, we girls need to know how to write a perfect thank-you note and set a proper table but we also need to know how to handle a one-night stand, how to ask for a promotion, what to wear at an art opening, and when a budding romance should move from supper to sex.

With The Fabulous Girl s Guide to Decorum, Izzo and Marsh have written the etiquette guide for the new millennium and created the ultimate icon of style for the 21st century: The Fabulous Girl. She s liberated but chic, impeccably mannered but never a snob, confident but compassionate, full of verve instead of vanity. She s the epitome of Audrey Hepburn-esque style and savoire faire at the workplace, at a dinner party, and even in the bedroom.

The Fabulous Girl s Guide to Decorum addresses all aspects of urban life, including careers, friendships, families, entertaining, socializing, romance, and sex (these days they don t necessarily go hand in hand!) and provides invaluable advice on how to navigate these tricky waters with unfailing grace. From what to wear at a power lunch to how to behave at a film premier, Izzo and Marsh address topics such as:
·Coping with an office backstabber
·Taxi and door-holding protocol on dates
·How to handle an affair with the boss
·Hosting the perfect dinner party
·How to handle fair weather friends
·Protocol for first-night sex
·The 10 things an FG will always have in her handbag
·Saving face when a male buddy has become too attached
Charming, witty and eminently practical, The Fabulous Girl s Guide to Decorum is as essential as the little black dress and a must for every young woman s bookshelf.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

The Workplace

"I was praying this morning that you wouldnt be wearing that skirt. And here you are," sputtered Claire, a woman with a shape that women's magazines refer to euphemistically as "pear," and my boss.

Now, I hate Monday mornings in general, but on this particular Monday, I had entirely forgotten about my job review. I was a receptionist at Corp Train, a management training firm that was as lame as it sounded.

I was silently horrified. Anyone can criticize my typing speed but never, never my style. Especially not Claire, who's idea of fashion was Annie Hall meets Laura Ingalls. And to add insult to fashion injury, I was being critiqued by a person whose teeth were loaded with poppy seeds.

"We really believe in bringing people along here at Corp Train. We really do," she continued, taking my silence as acknowledgement of sexy-skirt-guilt.

I had woken up feeling pretty good. Hair not too terrible. I wore my slightly see-through, long black skirt because it looked fabulous. As always, I wore it with completely opaque tights, so it was entirely respectable. Biking to work, I'd been thinking about how not so very bad my job was. Nobody expected me to care about the corporate training sessions the company ran. Being a receptionist did not exactly tax a girl. And as soon as I figured out what I wanted to do with my life, I'd be able to put all my energy and free time into that thing . . . whatever it would be.

I mean, who cares about a job review for a job you don't care about? Now it was sure to be my last day. This is how it went:

"It's just not appropriate for a corporate environment. At Corp Train we have to be seen as a team, and that team is professional and impeccably groomed."

Was she also saying my hair was messy and I needed to use deodorant?

"So Step One, buy some more modest clothes. I know that's a quick fix, especially for someone like you."

Like me? She didn't know me. I've only worked here three months and she'd said little to me other than hello and good night.

"There are two types of people in the world."

"Really, only two types?" I asked and gripped the arms of my chair. Claire nodded emphatically and continued.

"Type A and Type B. Type A's are stars. As soon as they walk into a room, you know it. Heads turn and they command an audience. Super-confident. Then there are Type-B personalities. These people are mild and shy and are often afraid to speak up and join in group dynamics. You are a Type B. Which is fine, but it means that you're not a natural leader. There is room for both types at Corp Train, so there is a place on the team for you too. It's just not a very mobile position, if you see what I mean."

I don't know whether it was the B or the A in me that felt it was the right moment. For two things. "I think next Friday should be my last day. And, Claire, you've got all sorts of poppy seeds in your teeth."

Even though it hadn't been what I'd expected that sunny Monday and my bank balance meant that my actions should have sent me into terrible anxiety, all I really felt was relief and a perverse sense of power. And as I've learned over and over, nothing takes the edge off like a new pair of shoes and a bottle of Chianti with my two best friends, Elenor and Missy.

In those days, Elenor, Missy and I all despised Mondays, the launch pads of five days of Jill Jobs. Over the weekend it was possible to start feeling a bit fab and self-determined. But back at a job you hate, the sheen of your weekend self-image quickly tarnishes. We'd been best friends since university, where we met in Intro. to Twentieth-Century Art. We bonded over the fact that we'd all come from small towns. Missy and El knew exactly how I'd felt growing up, dying to bust out of rural boredom. Although we were ambitious, stylish, smart girls, we had yet to get it together. I wanted to write, Elenor wanted to art direct and Missy--well, she was just vaguely ambitious. Elenor was a production assistant at Colonial Kitchen Magazine and Missy waited tables at French Roast, where after my Type A standoff I too donned apron and corkscrew.

A month later I was not feeling quite so brave about my new life. What if Claire had been right? A Type-A person surely would have bounced right into a better job by now. Sure, I had started to phone editors looking for freelance work, but it took me an entire day to build up my nerve each time. Was I a B? Or had Claire just branded me as one?

I had moments of wanting the drones at Corp Train to pay for all the minor humiliations I'd endured under them all those months. As I'd cycle through the city, dropping off resumes at restaurants and temp agencies, I started to compose a letter that would really blast them. I thought of sending it to Claire's boss. I'd outline all the inefficiencies that I'd been witness to as a receptionist. The thing about most execs is that they're so arrogant that they think the receptionist doesn't notice that they're using the FedEx account for personal use, that they're taking hour-and-a-half lunch breaks at least three times a week or that they've been doing it in the fax room with the new intern when the boss thinks they're working late on that big account. And in particular, I'd outline Claire's utter incompetence as the office manager. I knew for a fact that she made all her personal long-distance phone calls from work.

I thrilled to the thought of Claire being brought down to size.

And then I had what I am sure was a very grown-up moment. I just thought better of it. I was on my way to leaving those kinds of jobs behind. Who cared what a bunch of suits thought of me? And let's face it, they wouldn't have thought much of my letter anyway. Claire's boss probably hired her in the first place.

Work

For no other generation has work been so central to a woman's sense of self. Work has, for many a woman, entirely replaced the identity she may have had in previous times. The work the Fabulous Girl does--or wants to do--is critical to her. While it is still unusual, it is not unheard of for a woman to forgo motherhood and be satisfied with a life that is defined solely by her career.

For several years of her adult life, an FG may work toward her ultimate career goals without pay. She may take a less than challenging job (a Jill Job) just to pay the bills. The modern woman makes these sacrifices with long-term happiness in mind. Although it may cause her some anxiety, she is willing to give up traditional standards of security in the short run to have the life she's after in the end.

At the start of this particular career trajectory, it may be difficult for the outside world (and her family) to understand what the FG is doing or where she thinks she's going. Her life may seem a mishmash of waitressing jobs, volunteering, "projects" (usually creative in character), courses, classes and travel. Indeed at times it will even seem to her as if it's all adding up to nothing. Somehow, by her late twenties or early thirties, an FG finds that it all has a way of coming together. All those experiences, along with her superior charm and grace, are suddenly exactly the right combination for the FG's dream job.

The Fabulous Girl acknowledges and thanks the women who have paved the way for her generation to enter the workforce. She appreciates that she now enjoys nearly endless career choices. But, an FG is not afraid to take advantage of her style and beauty and the benefits these attributes may reap for her in the course of her career. The FG notes the advantages in the workplace of being a young, confident, sexy woman. A self-assured woman carries her wit, charm and intellect with her wherever she goes. Men and women will treat her with respect...

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Verlag
Broadway Books
Erscheinungsdatum
2001
Sprache
Englisch
ISBN 10 
0767910109
ISBN 13 
9780767910101
Einband
Taschenbuch
Auflage
1
Anzahl der Seiten
300
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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