Invisible Planets: Contemporary Chinese Science Fiction in Translation - Hardcover

Liu, Ken

 
9780765384195: Invisible Planets: Contemporary Chinese Science Fiction in Translation

Inhaltsangabe

Invisible Planets, edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction.

The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites.

To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection.

For more Chinese SF in translation, check out Broken Stars.

Stories:
“The Year of the Rat” by Chen Qiufan
“The Fist of Lijian” by Chen Qiufan
“The Flower of Shazui” by Chen Qiufan
“A Hundred Ghosts Parade Tonight” by Xia Jia
“Tongtong’s Summer” by Xia Jia
“Night Journey of the Dragon-Horse” by Xia jia
“The City of Silence” by Ma Boyong
“Invisible Planets” by Hao Jingfang
“Folding Beijing” by Hao Jingfang
“Call Girl” by Tang Fei
“Grave of the Fireflies” by Cheng Jingbo
“The Circle” by Liu Cixin
“Taking Care of God” by Liu Cixin

Essays:
“The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu
“The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu
“What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu

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Über die Autorin bzw. den Autor

KEN LIU (editor and translator) is a writer, lawyer, and computer programmer. His short story “The Paper Menagerie” was the first work of fiction ever to sweep the Nebula, Hugo, and World Fantasy Awards.

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Invisible Planets

Contemporary Chinese Science Fiction In Translation

By Ken Liu

Tom Doherty Associates

Copyright © 2016 Ken Liu
All rights reserved.
ISBN: 978-0-7653-8419-5

CHAPTER 1

CHEN QIUFAN


A fiction writer, screenwriter, and columnist — with a side gig as a product marketing manager for Baidu, the Chinese web giant — Chen Qiufan (a.k.a. Stanley Chan) has published fiction in venues such as Science Fiction World, Esquire, Chutzpah!, and ZUI Found. Liu Cixin, China's most prominent science fiction author, praised Chen's debut novel, The Waste Tide (2013), as "the pinnacle of near-future SF writing." Chen has garnered numerous literary awards, including Taiwan's Dragon Fantasy Award and China's Galaxy (Yinhe) and Nebula (Xingyun) Awards. In English translation, he has been featured in markets such as Clarkesworld, Lightspeed, Interzone, and The Magazine of Fantasy & Science Fiction. "The Fish of Lijiang" won a Science Fiction and Fantasy Translation Award in 2012, and "The Year of the Rat" was selected by Laird Barron for The Year's Best Weird Fiction: Volume One.

The three stories collected here, "The Year of the Rat," "The Fish of Lijiang," and "The Flower of Shazui," showcase Chen's unique aesthetic of melding a global, post-cyberpunk sensibility with China's traditions and complex historical legacy. By turns cynical, hopeful, playful, and didactic, Chen captures the zeitgeist of contemporary China, a culture going through a shocking transition and transformation. For more on how Chinese science fiction reflects this aspect of the Chinese experience, see Chen's essay, "The Torn Generation," at the end of this book.

A native of Shantou, Guangdong Province, and a graduate of Peking University, one of the China's most elite colleges, Chen speaks the Shantou topolect as well as Cantonese, Mandarin, and English (the spelling of his English name ["Chan"] reflects the Cantonese pronunciation). A language virtuoso, he has written speculative fiction stories in Classical Chinese — a feat akin to a contemporary English writer composing a story in the language of Chaucer — as well as Cantonese and Modern Standard Chinese. The linguistic divisions and diversity of his native land provide both backdrop and metaphor for his novel The Waste Tide, which I'm translating into English. "The Flower of Shazui" is set in the same universe as The Waste Tide and offers a glimpse into that world.


THE YEAR OF THE RAT

It's getting dark again. We've been in this hellhole for two days, but we haven't even seen a single rat's hair.

My socks feel like greasy dishrags, so irritating that I want to punch someone. My stomach is cramping up from hunger, but I force my feet to keep moving. Wet leaves slap me in the face like open hands. It hurts.

I want to return the biology textbook in my backpack to Pea and tell him, This stupid book has eight hundred seventy-two pages. I also want to give him back his pair of glasses, even though it's not heavy, not heavy at all.

Pea is dead.

The Drill Instructor said that the insurance company would pay his parents something. He didn't say how much.

Pea's parents would want something to remember him by. So I had taken the glasses out of his pocket and that goddamned book out of his waterproof backpack. Maybe this way his parents would remember how their son was a good student, unlike the rest of us.

Pea's real name is Meng Xian. But we all called him "Pea" because one, he was short and skinny like a pea sprout, and two, he was always joking that the friar who experimented with peas, Gregor "Meng-De-Er" Mendel, was his ancestor.

Here's what they said happened: When the platoon was marching across the top of the dam of the abandoned reservoir, Pea noticed a rare plant growing out of the cracks in the muddy concrete at the edge of the dam. He broke formation to collect it.

Maybe it was his bad eyesight, or maybe that heavy book threw him off balance. Anyway, the last thing everyone saw was Pea, looking really like a green pea, rolling, bouncing down the curved slope of the side of the dam for a hundred meters and more, until finally his body abruptly stopped, impaled on a sharp branch sticking out of the water.

The Drill Instructor directed us to retrieve the body and wrap it in a body bag. His lips moved for a bit, then stopped. I knew what he wanted to say — we'd all heard him say it often enough — but he restrained himself. Actually, I kind of wanted to hear him say it.

You college kids are idiots. You don't even know how to stay alive.

He's right.

Someone taps me on the shoulder. It's Black Cannon. He smiles at me apologetically. "Time to eat."

I'm surprised at how friendly Black Cannon is toward me. Maybe it's because when Pea died, Black Cannon was walking right by him. And now he feels sorry that he didn't grab Pea in time.

I sit next to the bonfire to dry my socks. The rice tastes like crap mixed with the smell from wet socks baking by the fire.

Goddamn it. I'm actually crying.

* * *

The first time I spoke to Pea was at the end of last year, at the university's mobilization meeting. A bright red banner hung across the front of the auditorium: "It's honorable to love the country and support the army; it's glorious to protect the people and kill rats." An endless stream of school administrators took turns at the podium to give speeches.

I sat next to Pea by coincidence. I was an undergraduate majoring in Chinese literature; he was a graduate student in the biology department. We had nothing in common except neither of us could find jobs after graduation. Our files had to stay with the school while we hung around for another year, or maybe even longer.

In my case, I had deliberately failed my Classical Chinese exam so I could stay in school. I hated the thought of looking for a job, renting an apartment, getting to work at nine A.M. just so I could look forward to five P.M., dealing with office politics, etc., etc. School was much more agreeable: I got to download music and movies for free; the cafeteria was cheap (ten yuan guaranteed a full stomach); I slept until afternoon every day and then played some basketball. There were also pretty girls all around — of course, I could only look, not touch.

To be honest, given the job market right now and my lack of employable skills, staying in school was not really my "choice." But I wasn't going to admit that to my parents.

As for Pea, because of the trade war with the Western Alliance, he couldn't get a visa. A biology student who couldn't leave the country had no job prospects domestically, especially since he was clearly the sort who was better at reading books than hustling.

I had no interest in joining the Rodent-Control Force. As they continued the propaganda onstage, I muttered under my breath, "Why not send the army?"

But Pea turned to me and started to lecture. "Don't you know that the situation on the border is very tense right now? The army's role is to protect the country against hostile foreign nations, not to fight rats."

Who talks like that? I decided to troll him a bit. "Why not send the local peasants, then?"

"Don't you know that grain supplies are tight right now? The work of the peasantry is to grow food, not to fight rats."

"Why not use rat poison? It's cheap and fast."

"These are not common rats, but Neorats™. Common poisons are useless."

"Then make genetic weapons, the kind that will kill...

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