Shadows in Flight (Shadow, 3, Band 3) - Hardcover

Buch 5 von 5: Shadow Saga

Card, Orson Scott

 
9780765332004: Shadows in Flight (Shadow, 3, Band 3)

Inhaltsangabe

Ender's Shadow explores the stars in this all-new novel...

At the end of Shadow of the Giant, Bean flees to the stars with three of his children--the three who share the engineered genes that gave him both hyper-intelligence and a short, cruel physical life. The time dilation granted by the speed of their travel gives Earth's scientists generations to seek a cure, to no avail. In time, they are forgotten--a fading ansible signal speaking of events lost to Earth's history. But the Delphikis are about to make a discovery that will let them save themselves, and perhaps all of humanity in days to come.

For there in space before them lies a derelict Formic colony ship. Aboard it, they will find both death and wonders--the life support that is failing on their own ship, room to grow, and labs in which to explore their own genetic anomaly and the mysterious disease that killed the ship's colony.

Shadows in Flight is the fifth novel in Orson Scott Card's Shadow Series.

THE ENDER UNIVERSE

Ender series
Ender’s Game / Speaker for the Dead / Xenocide / Children of the Mind / Ender in Exile / Children of the Fleet

Ender’s Shadow series
Ender’s Shadow / Shadow of the Hegemon / Shadow Puppets / Shadow of the Giant / Shadows in Flight

The First Formic War (with Aaron Johnston)
Earth Unaware / Earth Afire / Earth Awakens

The Second Formic War (with Aaron Johnston)
The Swarm / The Hive

Ender novellas
A War of Gifts / First Meetings

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Über die Autorin bzw. den Autor

Orson Scott Card is best known for his science fiction novel Ender's Game and it's many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender's Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien "Buggers".

Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977--the short story "Gert Fram" in the July issue of The Ensign, and the novelette version of "Ender's Game" in the August issue of Analog.

The novel-length version of Ender's Game, published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin.

Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.

He is the author many sf and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart's Hope. He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah. Card's recent work includes the Mithermages books (Lost Gate, Gate Thief), contemporary magical fantasy for readers both young and old.

Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, He and Kristine are the parents of five children and several grandchildren.

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Shadows in Flight

By Orson Scott Card

Tor Books

Copyright © 2012 Orson Scott Card
All right reserved.

ISBN: 9780765332004

Chapter 1:
“In the Giant’s Shadow”

The starship Herodotus left Earth in 2210 with four passengers. It accelerated nearly to lightspeed as quickly as it could, and then stayed at that speed, letting relativity do its work.

On Herodotus, just over five years had passed; it had been 421 years on Earth.

On Herodotus, the three thirteen- month- old babies had turned into six- year- olds, and the Giant had outlived his life expectancy by two years.

On Earth, starships had been launched to found ninetythree colonies, beginning with the worlds once colonized by the Formics and spreading to other habitable planets as soon as they were found.

On Herodotus, the six- year- old children were small for their age, but brilliant beyond their years, as the Giant had been when he was little, for in all four of them, Anton’s Key had been turned, a genetic defect and a genetic enhancement at the same time. Their intelligence was beyond the level of savants in every subject matter, without any of the debilitations of autism. But their bodies never stopped growing. They were small now, but by age twentytwo, they would be the size of the Giant, and the Giant would be long dead. For he was dying, and when he died, the children would be alone.

In the ansible room of Herodotus, Andrew “Ender” Delphiki sat perched on three books atop a seat designed for adults. This was how the children operated the main computer that processed communication through the ansible, the instant communicator that kept Herodotus linked to all the computer networks of the ninety- four worlds of Starways Congress.

Ender was reviewing a research report on genetic therapy that showed some promise, when Carlotta came into the ansible room. “Sergeant wants a sibmoot.”

You found me,” said Ender. “So can he.”

Carlotta looked over his shoulder at the holodisplay. “Why do you bother?” she said. “There’s no cure. Nobody’s even looking for it anymore.”

“The cure is for us all to die,” said Ender. “Then Anton syndrome disappears from the human species.”

“We’ll die eventually,” said Carlotta. “The Giant is dying now.”

“You know that’s all Sergeant wants to talk about.”

“Well, we have to talk about it, don’t we?”

“Not really. It’ll happen, and then we’ll deal with it.” Ender did not want to think about the Giant’s death. It was overdue, but as long as the Giant lived, Ender could hope to save him. Or at least bring him good news before he died.

“We can’t talk in front of the Giant,” said Carlotta.

“He’s not here in the ansible room,” said Ender.

“You know he can hear us here if he wants.”

The more time Carlotta spent with Sergeant, the more she sounded like him. Paranoid. The Giant is listening.

“If he’s hearing us now, he knows we’re having a meeting, and what it’s about, and so he’ll listen wherever we are.”

“Sergeant feels better about it when we take precautions.”

“I feel better when I’m allowed to do my work.”

“Nobody in the universe has Anton syndrome except us,” Carlotta said, “so the researchers have all stopped working on it even though there’s perpetual funding. Get over it.”

“They’ve stopped and I haven’t,” said Ender.

“How can you research it without lab equipment, without test subjects, without anything?”

“I have this incredibly brilliant mind,” said Ender cheerfully. “I look at all the genetic research they’re doing and I’m connecting it with what we already know about Anton’s Key from back in the days when top scientists were working hard on the problem. I connect things that the humans could never see.”

“We’re humans,” said Carlotta wearily.

“Our children won’t be, if I can help it,” said Ender.

“ ‘Our children’ is a concept that will never have a realworld example,” said Carlotta. “I’m not mating with either of my male sibs, which includes you. Period. Ever. It makes me want to puke.”

“The idea of sex is what makes you puke,” said Ender. “But I’m not talking about ‘our children’ in the sense of any of us reproducing together. I’m talking about the children we’ll have when we rejoin the human race. Not the normal children, like our long- dead sibs who stayed with Mother and mated and had human children of their own. I’m talking about the children with turned Keys, the children who are little and smart like us. If I can find a way to cure them—”

“The cure is to discard all the children like us, and keep the normal ones, and poof, Anton syndrome is gone.” Carlotta always came back to the same argument.

“That’s not a cure, that’s extinction of our new species.”

“We’re not a species if we can still interbreed with humans.”

“We’re a species as soon as we find a way to pass along our brilliant minds without the fatal giantism.”

“The Giant’s supposedly as brilliant as we are. Let him work on Anton’s Key. Now come along so Sergeant doesn’t get mad.”

“We can’t let Sergeant boss us around just because he gets so angry when we don’t obey.”

“Oh, brave talk,” said Carlotta. “You’re always the first to give in.”

 “Not at this moment.”

“If Sergeant walked in here himself, you’d apologize and drop everything and come. You’re only delaying because you’re not afraid to annoy me.”

“Just as you’re not afraid to annoy me.”

“Come on.”

“Where? I’ll join you later.”

“If I say it, the Giant will listen in.”

“The Giant will track us anyway. If Sergeant is right and the Giant spies on us all the time, then there’s nowhere to hide anyway.”

“Sergeant thinks there is.”

“And Sergeant’s always right.”

“Sergeant might be right and we can humor him and it costs us nothing.”

“I hate crawling through the air ducts,” said Ender. “You two love it, and that’s fine, but I hate it.”

“Sergeant is being so nice today that he picked a place we can get to without going through ducts.”

“Where?”

“If I tell you, I have to kill you,” said Carlotta.

“Every minute you take me away from my genetic research you’re bringing us that much closer to death.”

“You already made your point, and it’s an excellent point, and I’m ignoring you because you are coming to our meeting if I have to drag you there in small pieces.”

“If you regard me as expendable, have the meeting without me.”

“Will you abide by whatever Sergeant...

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