Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. The book focuses on music production in France, the representations of a 'protest' identity in relation to discourses of national identity and examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation.
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Dr Barbara Lebrun is a lecturer in Contemporary French Culture at The University of Manchester, UK. She completed her PhD on 'alternative' French rock music in 2003, at the University of Southampton, and has published a number of articles on French popular music since, in both English and French.
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Zustand: New. Traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Series Editor(s): Scott, Professor Derek B.; Hawkins, Professor Stan; Burns, Professor Lori. Num Pages: 208 pages, Includes 2 b&w illustrations. BIC Classification: 1DDF; AVGH. Category: (G) General (US: Trade). Dimension: 234 x 156. Weight in Grams: 544. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780754664727
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