How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages.
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Ian Biddle is Senior Lecturer and Head of Postgraduate Studies in Music at Newcastle University, UK. He is a cultural theorist and musicologist, working on a range of topics in music and sound-related areas. His work ranges from the cultural history of music and masculinity, music in the Holocaust, theorising music's intervention in communities and subjectivities, sound, soundscapes and urban experience, and the politics of noise. He has interests in memory studies, sound studies, Italian workerist and autonomist theory, psychoanalysis and theoretical approaches to 'affective' states. He is co-founder and co-ordinating editor (with Richard Middleton) of the journal Radical Musicology.
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Editor(s): Biddle, Dr. Ian. Num Pages: 350 pages, Includes 8 b&w illustrations and 8 music examples. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 166 x 242 x 29. Weight in Grams: 790. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780754662396
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 295 pages. 9.53x6.46x1.26 inches. In Stock. Artikel-Nr. x-075466239X
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