A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.
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Isabelle McNeill is Philomathia Fellow in French at Trinity Hall, University of Cambridge, where she teaches French literature and cinema. She is co-founder and trustee of the Cambridge Film Trust, which runs the Cambridge Film Festival.
In a vital rethinking of the role of the moving image in cultural memory, Isabelle McNeill investigates the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, McNeill examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately McNeill argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.
Memory and the Moving Image:
Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006).
Isabelle McNeill is a Philomathia Fellow in French at Trinity Hall, University of Cambridge, where she teaches French literature and cinema. She is co-founder and trustee of the Cambridge Film Trust, which runs the Cambridge Film Festival.
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Zustand: New. 2012. Reprint. Paperback. This text investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture. Num Pages: 181 pages, Illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 233 x 159 x 10. Weight in Grams: 300. French Film in the Digital Era. 181 pages, Illustrations. Cateogry: (G) General (US: Trade). BIC Classification: APFA. Dimension: 233 x 159 x 10. Weight: 300. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9780748649426
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Kartoniert / Broschiert. Zustand: New. Über den AutorIsabelle McNeill is Philomathia Fellow in French at Trinity Hall, University of Cambridge, where she teaches French literature and cinema. She is co-founder and trustee of the Cambridge Film Trust, which runs the Ca. Artikel-Nr. 594936706
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