This book examines the rise and fall of the picture house in Britain before the advent of the larger and more uniform style of the multiplex.
Few types of building provoke more nostalgic affection than the traditional high street cinema, both due to the appeal of older and more charming generations of films and because of the often beautiful architecture and design of the buildings themselves.
Many picture houses were unremarkable, and some quickly declined into uncomfortable 'fleapits', but others were some of the most extravagant and avant-garde buildings erected in the twentieth century - and around 160 surviving examples have become listed buildings.
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Allen Eyles is a writer with a special interest in the history of film and cinema. As well as editing the historical magazine Picture House he has written a number of books, including individual studies of the Odeon, Gaumont, ABC and Granada cinema circuits.
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Paperback. Zustand: Very Good. No building type arouses more nostalgic affection than the traditional high street cinema, not only because of the impression made by the films on the screen and the havent if offered to courting couples, but also because of its own special atomosphere of expectations, relaxation and escape, usually enhanced by the decorative surroundings. Many picture huses were unremarkable, and some had decline to uncomfortable 'fleapits' but the cinema inspired architects and designers to create some of the most extravagant and some of the most avant-garde buildings erected in the twentieth century. Around 160 surviving English examples have become listed buildings. This book examines the rise and fall of the picture house in Britain before the advent of the dreary and unadventurous multiplex. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002306729
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