No popular entertainer has been more closely scrutinized than Bob Dylan. His garbage has been emptied, his lyrics computer-scanned, his daily wherabouts logged with an obsessive thoroughness worthy of J. Edgar Hoover's G-men. And still he is a mystery. Above all performers, Dylan showed his generation how to seize the licence they unanimously demanded: the right to express themselves. Before him, Elvis loosened the restrictions of class and race; then the Beatles and the Stones subverted the outmoded codes of domestic and public behaviour. But Dylan did more: his use of language liberated lyricists, moving them beyond Tin Pan Alley's teenagers-in-love themes, and his attitudes shaped the development of other performers who would themselves influence millions. It is usually said that Dylan has constantly re-invented himself. Only in such a way can his extraordinary changes of direction - such as the espousal of electric rock in 1965-66, the dive into Nashville balladry in 1969, the conversion to born-again Christianity in 1979 - be explained. So extreme, so demanding of both himself and his audience were these shifts that it seemed they could only be the produce of a kind of perverse cunning. However, according to him, his evolution has been natural, consistent, a series of logical responses to both inner growth and outside pressures. His story is now told within that frame of reference, establishing a more accurate interpretation of the relationship between Dylan's life and his art.
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Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. No popular entertainer has been more closely scrutinized than Bob Dylan. His garbage has been emptied, his lyrics computer-scanned, his daily wherabouts logged with an obsessive thoroughness worthy of J. Edgar Hoover's G-men. And still he is a mystery. Above all performers, Dylan showed his generation how to seize the licence they unanimously demanded: the right to express themselves. Before him, Elvis loosened the restrictions of class and race; then the Beatles and the Stones subverted the outmoded codes of domestic and public behaviour. But Dylan did more: his use of language liberated lyricists, moving them beyond Tin Pan Alley's teenagers-in-love themes, and his attitudes shaped the development of other performers who would themselves influence millions. It is usually said that Dylan has constantly re-invented himself. Only in such a way can his extraordinary changes of direction - such as the espousal of electric rock in 1965-66, the dive into Nashville balladry in 1969, the conversion to born-again Christianity in 1979 - be explained. So extreme, so demanding of both himself and his audience were these shifts that it seemed they could only be the produce of a kind of perverse cunning. However, according to him, his evolution has been natural, consistent, a series of logical responses to both inner growth and outside pressures. His story is now told within that frame of reference, establishing a more accurate interpretation of the relationship between Dylan's life and his art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001251361
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