Heat Wave (CSI: Miami (Paperback)) - Softcover

Buch 2 von 3: CSI

Collins, Max Allan

 
9780743480567: Heat Wave (CSI: Miami (Paperback))
Softcover
ISBN 10: 0743480562 ISBN 13: 9780743480567
Verlag: Pocket Star, 2004

Inhaltsangabe

Lieutenant Horatio Caine leads a crack team of forensic scientists who investigate crimes amid the tropical surroundings and cultural crossroads of Miami. Together, they collect and analyze the evidence to expose the truth and to bring justice to those who often cannot speak for themselves: the victims.

Crime boss Kurt Wallace was fighting to hold his vast crime empire together -- until a few well-placed bullets ended the struggle. As a host of dangerous "business interests" move in to seize control of Wallace's piece of the Miami underworld, Caine's CSIs must piece together the evidence to discover who was responsible for the crime that all of Miami had a motive to commit.

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Über die Autorin bzw. den Autor

Max Allan Collins is a New York Times bestselling author of original mysteries, a Shamus award winner and an experienced author of movie adaptions and tie-in novels. His graphic novel Road to Perdition has been made into a major motion picture by Tom Hank’s production company. He is also the author of the tie-in novel series based on the original CSI.

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Chapter 1: Storm Warning

Cobalt waves lashed the beach, whipcracking as they broke, the gray sky deceptively placid, accepting of the storm gathering just beyond the horizon. This was a cool time of year for the greater Miami area, but something nasty was coming. Something hot, and not weather.

Here and there empty hotels seemed like great tombstones, as if the city were slowly turning into a cemetery, however much the remainder of the skyline greeted the Atlantic with glittering optimism. Tonight, the ocean seemed unconvinced, moving in like a dark-hooded figure with a scythe, the threat of the impending storm growing more absolute by the minute and Miami Beach's neon welcome ever more strained as the sky went from gray to charcoal to now very nearly black.

Along Ocean Drive, with only the thin emerald strip of Lummus Park between concrete and roiling water, cars passed in their usual slow parade while the well-lighted line of Art Deco hotels studded the darkening sky with their vibrant pink-blue-yellow geometry. Occasional storefronts in the row of businesses were dark now, gaps in the street's commercial smile, the stiff competition of South Beach killing off the weak. Still, despite the strobe flashes of lightning at sea, a party atmosphere managed to thrive.

This was Miami Beach, after all, and there was a reputation to uphold -- not necessarily a good reputation, but a compelling one for the young of all ages.

Hundreds of pedestrians, mostly tourists, strolled up and down the west side sidewalk, gawking at menu boards, confronted by hard-bodied, navel-baring, pretty hostesses who hawked their restaurants and hotels (each "the best" along this pastel strip).

At every stop, the pedestrians were inundated with pulsing music that poured as easily from assorted sound systems as the liquor in every South Beach bar. Cool jazz rolled from the Tides, reggae from the Breakwater, classic soul from the Leslie, and so on down the row, the only pauses coming as the rubberneckers passed the vacant husks of dead rival clubs.

At the Archer Hotel -- a three-story, white stucco building with mint-green-and-pink trim -- both the lobby bar and front dining terrace were jammed with patrons apparently not put off by what the sky might bring. Sixties rock blared from state-of-the-art speakers, and a queue of potential diners stood near the hostess stand on the front walk, seemingly oblivious to the storm knifing toward the coast.

The distant rumble of thunder was lost in the prominent bass line of the Spencer Davis Group ripping through "Gimme Some Lovin'." Here and there, diners tapped their feet to the familiar, infectious beat, while a few others tapped silverware on the table, keeping time with the pounding drums. At a square table, at the south end of the open front porch, however, the four men seated there seemed to not notice the music at all.

With his back to the window that looked in on the lobby bar, Kurt Wallace gave not a thought to the possibility of getting shot.

The burly, well-dressed men seated to his left and right as he faced Ocean Drive were security staff who'd been with him for years. On his right, the pug-faced Cummings watched the street. On Wallace's left, Stevens eyed the restaurant, the watchdog's head seeming to swivel from side to side without the benefit of a neck.

A third bodyguard, Anthony, was out of sight inside the bar, but he, too, was a longtime employee, and Wallace trusted the wide-bodied ex-pro footballer (a lineman, of course) to cover his back. The small security contingent's custom-fitted suits -- Anthony's was black, Cummings was in brown, and Stevens's a gray pinstripe -- helped them fit in to the Miami Beach nightlife, even while that expensive tailoring hid the fact that they were heavily armed.

One of the best haberdasheries in the city took care of Wallace's boys; as for their employer, tonight he had chosen an Armani suit, tailored especially for him.

Tall, with curly black hair showing flecks of gray, Wallace was handsome and knew it. What might have been conventional, male-model good looks -- his long straight nose sat absolutely perpendicular to the thin line of his mouth, for example -- had an edge, thanks to dark brown eyes that seemed always to suggest anger or cruelty or both, depending on the light, the angle, and, of course, his mood. Thick dark slashes of eyebrow provided punctuation whenever his expression changed.

With the assassination of Peter Venici earlier this year, Wallace had solidified himself as the new padrone of organized crime in Miami. For perhaps a decade, Wallace had dreamed and schemed of this rise to the top. But right now, the all-American businessman who had finally displaced the old Sicilian Mafia leadership was wondering if killing Venici had really been worth it.

Though he now controlled the docks, the unions, prostitution, and most illegal gambling, Kurt Wallace found himself constantly battling the youthful gangs that had matured into mini-cartels in recent years, stealing away much of his drug business. The most bothersome were Las Culebras, the group of second- and third-generation Cuban-Americans once headed by Juan "El Patan" Padillo.

That Padillo, known in certain circles as Johnny the Slouch, had been "disappeared" by Venici was no great secret, and Wallace had figured the Culebras might be a new ally when he dispatched the crime boss.

It hadn't turned out that way.

Las Culebras' new leader, Antonio Mendoza, seemed to hate Wallace even more than he had Venici. That Wallace had betrayed Venici -- however despised the old-school mob boss might have been -- labelled Wallace a traitor to Mendoza. Didn't these young punks understand how business worked? That the occasional unfriendly takeover was to be expected?

Las Culebras weren't the only ones horning in on Wallace's drug trade, either; the list was depressingly long -- the Mitus from Colombia; the Faucones, whose headquarters were in Little Haiti; the Trenches, named after the famous Kingston slum; and even those self-styled neo-Nazi meth freaks from upstate...all of them intent on helping themselves to slices of the Venici pizza.

If he'd known it was going to be this much trouble, Wallace wondered if he still would have made his move on Venici.

Who was he trying to kid? He already knew the answer: of course he would.

Kurt Wallace may have looked like a fashion-plate slickster, but at heart he was a fighter, and he wasn't about to let anyone come in and divide his territory among themselves.

Which was why he was having dinner at the Archer Hotel with Sonny Spencer tonight. The current situation was, in fact, the only imaginable reason he could conjure up that would have him even consider sitting down with the slimy likes of Spencer.

Spencer was a representative of what was referred to nowadays as the Dixie Mafia. In his white suit jacket over a pastel T-shirt and jeans, Spencer apparently thought Miami Vice was the latest thing.

dWhat...a...rube....

The blond neo-Nazi sat across the table from Wallace, his blue eyes fixed in a squint that Wallace assumed was meant to make him look tough, when the effect was of myopia. Granted, he was a lieutenant -- and nephew -- of Billy Joe Spencer, head of the outfit Wallace hoped to strike a deal with...but Spencer was not exactly one of the best and brightest of his outfit.

Consider that Spencer had consented to coming alone and was right now also sitting with his back to the busy street. On the other hand, Spencer's apparent lack of precaution reflected something of which he and Wallace were both well aware: The younger Spencer had nothing to fear from Kurt Wallace.

Truth was, right now Wallace needed any allies he could muster in a war that seemed to...

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Verlag
Pocket Star
Erscheinungsdatum
2004
Sprache
Englisch
ISBN 10 
0743480562
ISBN 13 
9780743480567
Einband
Taschenbuch
Anzahl der Seiten
288
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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