Meet the little known and even less understood heroes of police work in Las Vegas -- the forensic investigators. Led by veteran Gil Grissom, the remarkable team assigned to the Criminalistics Bureau's graveyard shift -- including Catherine Willows, Warrick Brown, Nick Stokes, and Sara Sidle -- must combine cutting-edge scientific methods and old-fashioned savvy as they work to untangle the evidence behind the yellow police tape. While Nick and Catherine investigate a newly discovered fifteen-year-old murder, Grissom and the rest of the team must uncover the indentity of a cold-blooded killer -- one whose execution-style, "double-tap" signature has provoked the interest of FBI agent Rick Culpepper.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Max Allan Collins is a New York Times bestselling author of original mysteries, a Shamus award winner and an experienced author of movie adaptions and tie-in novels. His graphic novel Road to Perdition has been made into a major motion picture by Tom Hank’s production company. He is also the author of the tie-in novel series based on the original CSI.
Chapter 1
The siren's squeal split the morning, the flashing blue-then-red-then-blue dashboard light reflecting off other cars as the black Chevy Tahoe weaved its way through rush-hour traffic on US 95. The sun was rising orange and bright, tinting the clouds pink, and the air conditioning within the SUV was already grappling with the July heat.
In the passenger seat sat Gil Grissom, graveyard-shift supervisor of the Las Vegas Criminalistics Bureau. In the driver's seat was Warrick Brown -- rank CSI3, just one notch under Grissom -- and in back was another member of their team, Sara Sidle, rank CSI2. Warrick sawed the steering wheel right and left as he dodged between cars, his expression impassive. He might have been watching paint dry.
Grissom's boyishly handsome features were slightly compromised by the gray encroaching on his brown hair, and crow's feet were sneaking up on the edges of his eyes, frown lines etching inroads at the corners of his mouth. The politics of this job had taken their toll on Grissom of late. As much as he loved the science of investigation, the constant jousting with day-shift supervisor Conrad Ecklie, the strain on his budget, and the pressures of management had started to age the perennially youthful Grissom. This reality was aided and abetted by the fact that, even though he had never needed much sleep, now he hardly got any at all.
The SUV hurtled toward a small Honda. Warrick slashed to the right, barely missed a FedEx truck, then bounced back left, coming within inches of a blue Lincoln stretch limo.
From the back, Sara yelled, "Geez, Warrick, he's not gonna get more dead. Slow down."
Warrick ignored her remark and jumped into the diamond lane to pass a cab, then hopped back into his own lane.
"Why didn't you let me drive?" Sara asked her boss as she bounced around, her seat belt straining. "Grissom, will you say something to him?"
af0
Ignoring the exchange, Grissom turned his gaze toward the reddish sky. Quietly, without even realizing he was talking, Grissom said, "Red sky at night, sailor's delight -- red sky at morning, sailor take warning."
Sara leaned forward. "What was that, Grissom?"
He shook his head as he studied the clouds. "Nothing."
"Please tell me that wasn't an aphorism," she said. "Please tell me you're not spouting quotes while this maniac is -- "
"Sailors?" Warrick asked. "Gris, we're in the desert."
"Shut up," Sara snapped, "and keep your eyes on the road."
Warrick shot her a glance in the rearview mirror, twitched a half-smirk, and crossed all three lanes of traffic, jerking the wheel to the right as they turned onto Decatur Boulevard. Seconds later the SUV squealed to a halt in front of the Beachcomber Hotel and Casino.
"Six minutes, twenty-seven seconds," Warrick said as he threw open his door, bestowing on his boss a tiny self-satisfied smile. "How's that for response time?"
As the limber driver turned to jump out of the truck, Grissom gripped Warrick's shoulder, startling him a little. Grissom kept his voice quiet, even friendly, but firm. "From now on, unless I say otherwise, you obey the speed limit -- okay, Mario?"
Warrick gave him a sheepish smile. "Yeah, Gris -- sorry."
In the backseat, Sara shook her head in disgust, her ID necklace swinging as she muttered a string of curses. As she climbed out, dragging a small black suitcase of equipment with her, she said, "Gonna get us all killed, then who's going to investigate our scene? I mean, we'll all be dead."
Grissom turned and looked over his sunglasses at her, through the open back door. She got the message and piped down.
Warrick grabbed his own black suitcase from the back of the vehicle and fell in next to Sara. Climbing down, Grissom -- carrying his silver flight-case-style field kit -- led the way. This early, the sidewalk was nearly empty in front of the hotel, the doormen outnumbering the guests. The
qllittle group was almost to the front door when Captain Jim Brass materialized to fall in step with Grissom.
Brass said, "The hotel manager wants to know how soon we're going to be out of there."
"Why?"
Brass blinked his sad eyes. "Why? So he can let the guests move in and out of their rooms on that floor."
Shaking his head, Grissom asked, "What'd you tell him?"
Brass shrugged. "As soon as we possibly can."
A rotund doorman stepped forward and opened the big glass front door for them. Sunglasses came off as they moved through the gaudy lobby -- Grissom tuning out the sounds of spinning slots, rolling roulette balls, dealers calling cards, the typical dinging and ringing casino cacophony -- and Brass led them to the right, toward a gleaming bank of elevators.
"Where's the vic?" Warrick asked.
"Fourth floor," Brass said. "Right there in the hall, outside his hotel room door, shot twice in the head, small caliber, a .22 or a .25 maybe. Looks like a mob hit, might be a robbery got outa hand."
"We'll see," Grissom said, never interested in theories so early. "Is there videotape?"
Most of the resort hotels on the Strip had video cameras in every hall, but not all the ones off the Strip, like the Beachcomber, had caught up.
Brass nodded. "It's set up in the main security room -- waiting for you, whenever you're ready."
When they were safely alone in the elevator, away from guests and staff, Grissom turned to Brass. "You tell the manager we'll be done when we're done. I don't care if he has to use a cherry picker to get these people out of their rooms, they're not going to disturb my crime scene. The hotel gets it back when my people have finished with it."
Brass held up his hands in surrender. "Okay, okay, I'll tell him. I just wanted to save the guy for you to alienate."
Taking a deep breath, Grissom let his head drop a little as he exhaled. "Tell him we'll work as fast as we can, but this is not fast work."
The elevator dinged, the door slid open, and it began. Stepping out, Grissom looked to his left where Detective Erin Conroy, stood interviewing a twenty-something young man who wore a white shirt, black bow tie and black slacks -- a waiter.
The CSI group paused to snap on their latex gloves.
"Guy's a spitting image for David Copperfield," Warrick said softly, behind Grissom.
"The waiter," Sara said, amused. "Yeah -- spot on."
Grissom turned to them. "Who?"
Sara's eyebrows climbed. "Grissom -- you live in Vegas and you don't know who David Copperfield is?"
"A Dickens character," Grissom said. "Is this pertinent?"
Sara and Warrick, silenced, exchanged glances.
Moving forward, Brass on his left, Warrick and Sara behind him, Grissom stopped in front of a uniformed officer on watch at the near end of the crime scene. Beyond the officer, Grissom saw the body slumped in a doorway alcove; a large, circular, silver tray lay on the carpet across the hall; and spaghetti, meat sauce, and the components of a tossed green salad lay scattered everywhere. A white carnation, spilled out of its vase, lay at the corpse's feet like an impromptu funeral offering.
"Anyone been through here since you arrived?" Grissom asked.
Garcia shook his head. He pointed to a rangy officer at the other end of the hall. "My partner, Patterson, had the manager let him up the fire stairs down there."
"Good work."
"Thank you, sir."
Turning to Brass, Grissom asked, "Any idea who our victim is?"
"Sure -- 'John Smith.' "
Grissom raised an eyebrow.
0 Brass shrugged elaborately. "That's how he registered. Paid for everything in cash too."
"Right. You check for a wallet?"
Brass shook his head. "Waiting for you to clear the scene. I used to have your job, remember?"
Brass had indeed been...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00109776738
Anzahl: 1 verfügbar
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00107831199
Anzahl: 1 verfügbar
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00103149860
Anzahl: 6 verfügbar
Anbieter: BooksRun, Philadelphia, PA, USA
Mass Market Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Artikel-Nr. 0743444043-7-1
Anzahl: 2 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 809120-75
Anzahl: 1 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 10342822-75
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 809120-75
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0743444043I4N10
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0743444043I4N00
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Reno, Reno, NV, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0743444043I4N00
Anzahl: 1 verfügbar