The Queen of Everything - Softcover

Caletti, Deb

 
9780743436847: The Queen of Everything
Softcover
ISBN 10: 0743436849 ISBN 13: 9780743436847
Verlag: Simon Pulse, 2002

Inhaltsangabe

People ask me all the time what having Vince MacKenzie for a father was like. What they mean is, was he always crazy?
High school junior Jordan MacKenzie's life was pretty typical: fractured family, new boyfriend, dead-end job. She'd been living with her father (the predictable optometrist) since her mother (the hippie holdover) had been too embarrassing to be around. Jordan felt like she finally had as normal a life as she could. But then came Gayle D'Angelo.
Jordan knew her father was dating Gayle, and that Gayle was married. Jordan knew it was wrong, and that her father was becoming someone she didn't recognize anymore, but what could she do about it? And how could she -- how could anyone -- have possibly guessed that this illicit love affair would implode in such a violent and disturbing way?

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Über die Autorin bzw. den Autor

Deb Caletti is the award-winning and critically acclaimed author of over sixteen books for adults and young adults, including Honey, Baby, Sweetheart, a finalist for the National Book Award; A Heart in a Body in the World, a Michael L. Printz Honor Book; and Girl, Unframed. Her books have also won the Josette Frank Award for Fiction, the Washington State Book Award, and numerous other state awards and honors, and she was a finalist for the PEN USA Award. She lives with her family in Seattle.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Chapter One

People ask me all the time what having Vince MacKenzie for a father was like. What they mean is: Was he always crazy? Did he walk around the kitchen with an ice pick in the pocket of his flannel bathrobe every morning as he poured himself a cup of coffee?

Some ask flat out, as if it's their right to know. Others circle it, talk about the weather first, thinking they're being so sneaky when really they're as obvious as a dog circling a tree.

When they ask I always say the same thing. I say, "He was an optometrist for God's sake. You know, the guy who sits you in the big chair and says, 'Better here, or here?' The ones with the little pocket-size flashlights?" And that's all I say. I try to keep it all in the tone of voice. I don't even add a, If you must know, you insensitive jackass. Well I did say that once. I don't count it though, because it was to an old man who probably had bad hearing.

What I won't do is tell anyone what he was really like.

I won't say that when I think of him now, I see him outside, at places he can no longer go. I see him mowing the front lawn, wearing his University of Washington Huskies cap, holding his hand to his ear to let me know he can't hear what I'm saying over the mower's engine. I see him dumping the basket of clippings into the garbage can, small bits of grass clinging to his sweatshirt. I see him watering the rhododendrons, his thumb held over the end of the hose to make the spray less harsh.

And I see him -- us -- in our house. The house we used to live in. I see him with his tie loosened after work, pouring himself a glass of milk and asking how my history test went. I remember sitting next to my father at the kitchen table, him trying to explain my math homework but making it more confusing. And me, saying, Oh, I see! when I didn't, because I didn't want to hurt his feelings.

I won't tell anyone his faults either. That he swore when he fixed things and flirted too much with waitresses and swaggered around more than he deserved to when he was wearing a new shirt. Good or bad, I keep those things to myself. I don't want those parts of him, the real him, to turn into something cheap and meaningless. It would make me the kid with no friends, giving out candy on the playground. People would grab up those bits of him like greedy children with a roll of Lifesavers. They'd peel off a piece of him, roll him around in their mouths for a few seconds, and then swallow and forget about him.

Besides, that's not what people want to hear anyway -- that my father was just a normal guy whom I loved, love, with all my heart. It makes them nervous. Because if he was normal, if he wore Old Spice and liked nacho cheese Doritos, then why not their own fathers? Or themselves? Deep Inner Evil -- we like that. It's easier to accept than what Big Mama says, which is that wanting things for the wrong reasons can turn anyone's life into a marshmallow on a stick over a hot fire: impossibly messy and eventually consumed, one way or another. People want to think that I lay in bed awake at night, my heart pounding in fear of him. They don't want to know that I slept just fine, dreaming I'd forgotten my locker combination just like them.

Or that I went to live with Dad because he was the regular one; that it was my mom who I was convinced was nuts. Claire was the one I never wanted my friends to see. She had this shaggy hair under her arms that always made me think of a clump of alfalfa sprouts in a pita pocket. And you never knew when she might suddenly flop out a boob to nurse Max, which she did once during a parent-teacher conference to the shock of my new math teacher, Mr. Fillbrook. By the look on his face I'm positive Mrs. Fillbrook always got dressed in the dark. Or else she did that trick when you slip your bra through your sleeve every night when she put on her nightgown. All Claire had to say about the whole thing was, "If he was titillated, pardon the pun, that's his problem."

God.

When I lived with my mom, it was her house that embarrassed me, never Dad's. Mom had turned our old house into a bed and breakfast, which is one way to make a living on Parrish Island if you don't want to rent kayaks or work the oyster beds. At Mom's house you never knew who was coming or going. And Nathan's metal sculptures were spread all over the yard, spinning like mad in the wind and hanging from the trees like giant Christmas ornaments. Nathan is my mother's husband; he's ten years younger than she is. He's also an "artist." His work is "kinetic art for the outdoors." That's how I thought of their life. Like it all belonged in quotation marks.

When I moved in with my dad, that's when my life got normal. I moved into a regular neighborhood with a regular house. I transferred from that goofy alternative school I hated, where we made quilts and "worked at our own pace" and where the teachers all wore sandals no matter what the weather, to Parrish High where you had to sit in your seat and learn English and the kids weren't weird. I met Melissa Beene, who lived down the block and whose parents had a big black Weber barbecue and electric garage-door openers. Everyone in my dad's neighborhood mowed their lawn and thought breakfast was the most important meal of the day and got upset if their kids missed their curfews.

Anyway, evil. If anyone was truly evil in all this, it was Gayle D'Angelo. She put that gun in his hands. I don't like to think about her. I hate thinking about her. But Mom and Nathan and everyone else keep telling me that it's healthy to get the feelings out. Big Mama says that even salmon carry their life stories on their scales, the way a tree does with its rings. And my old English teacher, Ms. Cassaday, claims writing this out will be good therapy. "What is therapy after all," she says, "but telling your tale to someone who won't get up in the middle?" So okay, fine. Just so I don't suddenly fall apart one day when I'm thirty-five in an aisle of the grocery store or something. Carried out kicking and screaming while the ladies squeezing lemons pretend they don't notice a thing.

I will think about her. And it will be all right. Because, true, the story starts there, with Gayle D'Angelo. But it does not end there.

I first met Gayle D'Angelo at the True You Health Center. My best friend, Melissa Beene, got me the job at True You. We worked after school, the occasional evening, and more hours in the summer. True You is in a strip mall, in the new part of town that the original Parrish Islanders hate. If you took one of those snoots who say they watch only PBS and dangled a game show in front of their eyes, that's the kind of reaction I'm talking about. I used to think the whole argument was stupid. My mother would go on and on about the yuppies coming from Seattle and Microsoftland with their plastic money, building plastic things, intent on destroying the spirit of the islands. The San Juans had always been an escape from all that, she'd moan.

"And what's with these minivans?" she said once. "I feel like I'm in some sci-fi movie. Revenge of the Pod People. Invading the world in Dodge Caravans. You watch, those people are going to wreck everything. I bet even the whales will get wind of what's happening and stop coming around."

"That's what the farmers said when you hippies started moving out here, Claire," I said. Parrish, and the other large islands of the San Juans, used to be mostly orchards. There were still stretches of sprawling farmland and spots of gnarled apple trees where the deer met up with their friends for garden parties. "And what the Indians said about the farmers."

My mother glared at me. "Jordan," she said.

"I'm sorry," I said. I used to say this a lot, especially when I wasn't in the least. "I just never got...

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Verlag
Simon Pulse
Erscheinungsdatum
2002
Sprache
Englisch
ISBN 10 
0743436849
ISBN 13 
9780743436847
Einband
Taschenbuch
Anzahl der Seiten
384
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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