Reese’s Book Club Pick
Instant New York Times Bestseller
A New York Times Book Review Top 10 Thriller of 2021
A Washington Post Top 10 Thriller or Mystery of 2021
“If you love a mystery, then you’ll devour [Northern Spy] . . . I loved this thrill ride of a book.” —Reese Witherspoon
“A chilling, gorgeously written tale . . . Berry keeps the tension almost unbearably high.” —The New York Times Book Review
The acclaimed author of Under the Harrow and A Double Life returns with her most riveting novel to date: the story of two sisters who become entangled with the IRA
A producer at the BBC and mother to a new baby, Tessa is at work in Belfast one day when the news of another raid comes on the air. The IRA may have gone underground in the two decades since the Good Friday Agreement, but they never really went away, and lately bomb threats, security checkpoints, and helicopters floating ominously over the city have become features of everyday life. As the news reporter requests the public's help in locating those responsible for the robbery, security footage reveals Tessa's sister, Marian, pulling a black ski mask over her face.
The police believe Marian has joined the IRA, but Tessa is convinced she must have been abducted or coerced; the sisters have always opposed the violence enacted in the name of uniting Ireland. And besides, Marian is vacationing on the north coast. Tessa just spoke to her yesterday.
When the truth about Marian comes to light, Tessa is faced with impossible choices that will test the limits of her ideals, the bonds of her family, her notions of right and wrong, and her identity as a sister and a mother. Walking an increasingly perilous road, she wants nothing more than to protect the one person she loves more fiercely than her sister: her infant son, Finn.
Riveting, atmospheric, and exquisitely written, Northern Spy is at once a heart-pounding story of the contemporary IRA and a moving portrait of sister- and motherhood, and of life in a deeply divided society.
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Flynn Berry is the New York Times bestselling author of three novels: Northern Spy, a Reese's Book Club pick; A Double Life, a New York Times Book Review Editors' Choice; and Under the Harrow, which won the Edgar Award for Best First Novel and was named a best book of the year by The Washington Post and The Atlantic. The recipient of a Yaddo fellowship, she is a graduate of Brown University and the Michener Center for Writers.
1
We are born with a startle reflex. Apparently it's caused by the sensation of falling. Sometimes, in his crib, my son will fling out his arms, and I hold my hand to his chest to reassure him.
It happens less often now than in the first months. He doesn't constantly think the ground is falling away beneath him. I do, though. My startle reflex has never been so strong. Of course it is, everyone's is at the moment. That's part of living in Northern Ireland, at this point in time, during this phase of terrorism.
It's difficult to know how scared to be. The threat level is severe, but, then, it has been for years. The government evaluates terrorist organizations based on capacity, timescale, and intent. At the moment, we should be worried about the IRA on all three counts. An attack might be imminent, but no one can say where.
The odds are, not here. Not on this lane, where I'm walking with the baby. A gunman isn't about to appear around the bend in the road. I always watch for one in Belfast, on my way to work, but not out here, surrounded by hedgerows and potato fields.
We live, for all intents and purposes, in the middle of nowhere. My house is on the Ards peninsula, a curve of land between Strangford Lough, a deep saltwater inlet, and the sea. Greyabbey is a tiny village, a twist on the lough road. Four hundred houses set among green fields and lanes and orchards. On the lough shore, canoes float in the reeds. This doesn't look like a conflict zone, it looks like the place you'd return to after a war.
Finn sits in his carrier on my chest, facing forward down the lane. I chat to him and he babbles back at me, kicking his heels against my thighs. Ahead of us, birds disappear into gaps in the hedgerow. At the edge of the pasture, a row of telephone poles rises along the road. Past them, the sky is white toward the sea.
My son is six months old. The conflict might be over by the time he can walk or read. It might end before he learns to clap or says his first word or drinks from a cup or has whole fruit instead of puree. All of this might never touch him.
It should already be over, of course. My sister and I were born near the end of the Troubles. We were children in 1998, when the Good Friday Agreement was signed, we painted peace signs and doves on bedsheets and hung them from our windows. It was all meant to be finished then.
Except bodies were still being found in peat bogs along the border. Searches were being conducted to find informers the IRA had disappeared. The coroner's inquests hadn't all finished, or the investigations into police collusion, and riots still broke out every year during marching season. At certain funerals, men in ski masks and mirrored sunglasses would appear in the cortege, chamber their handguns, and fire shots over the coffin, which was odd, since they said they'd decommissioned all their weapons.
So it was never peace exactly. The basic argument of the Troubles hadn't been resolved: most Catholics still wanted a united Ireland, most Protestants wanted to remain part of the UK. The schools were still segregated. You still knew, in every town, which was the Catholic bakery, which was the Protestant taxi firm.
How could anyone not have seen this coming? We were living in a tinderbox. Of course it was going to catch, and when it did, so many men were ready to throw themselves back into the fighting. Peace hadn't suited them. They hadn't made a success of it. In their statements and communiquŽs, I could sense their relief, like they were sleeper agents, left behind in an enemy country, glad that they hadn't been forgotten.
From the lane, I turn onto the lough road. The water is platinum with sunlight. It will be hot again today. I want this walk to last, but soon we're at the main street, and his day care. I kiss Finn goodbye, confident, as always, that between now and tomorrow morning I'll find the trick that will let me spend the day both at work and with him.
My phone rings as I near the bus stop. "Have you heard from Marian today?" my mother asks.
"No, why?"
"There's supposed to be a thunderstorm." Marian has gone to the north coast for a few days. She is staying in a rented cottage on a headland near Ballycastle. "She's not diving, is she?"
"No," I say, not mentioning what Marian had told me about wanting to swim into the caves at Ballintoy, if she could time it right with the tides.
I hoped she would. I liked the thought of her swimming through the limestone arches, bobbing in the water inside the mouth of the caves. It would be like an antidote, the quiet and the spaciousness. The exact opposite of Belfast, of her work as a paramedic, sitting in the back of an ambulance, racing through red lights, steeling herself for the moment when the doors will open.
"There's no sense in doing that on your own."
"She's not diving, mam. See you tonight, okay?"
On Thursdays, when we broadcast our program, my mother collects Finn from day care, since I don't get home in time. It means a long day for her. She works as a housekeeper for a couple in Bangor. She cleans their house, buys their food, washes their clothes. They keep the thermostat so high all year that she works in a pair of shorts and a tank top. Twice a week, she puts on a coat to drag their bins down the long gravel drive and back up again. They recently spent half a million pounds to put a heated single-lane swimming pool under their house, which neither of us can believe she has never used.
"Not even when they're away?" asked Marian.
Our mam laughed. "Catch yourself on."
2
On the bus into the city, I look through my reflection at the lough. Across its vast surface, the faint shapes of the Mourne mountains rise in the distance.
I send Marian a message, then scroll up to the picture she sent me yesterday of herself standing on the Carrick-a-rede rope bridge. Tourists used to wait for hours to cross the bridge, but now it hangs empty for most of the year, the waves crashing a hundred feet beneath it. In the picture, she is alone, her hands gripping the ropes, laughing.
Marian has wavy brown hair that she wears loose, or piled on top of her head with a gold clasp. We look similar-same eyes, and cheekbones, and dark hair-though Marian's is an inch shorter than mine, and softer. Her natural expression, when she's not speaking, is open and amused, like she's waiting to hear the end of a joke, while mine tends to be more grave. Both have their drawbacks. I often have to reassure people that I'm not worried when I am, in fact, thinking, and Marian, who has been a paramedic for six years, still gets asked on every shift if she's new to the job. She will say, "I'm going to insert an IV line now," and the patient will look alarmed and say, "Have you done that before?"
Neither of us looks like our mother, who is blonde and sturdy, with an air of brisk warmth. We look like our father and his side of the family, his sisters and parents, which seems unfair, given that we never see him, or any of them.
I allow myself to daydream until the road separates from the lough, then open my phone to start reading the news. I produce a weekly political radio program at the BBC. Some of the broadcasts devolve into local politicians shouting over each other, but others turn electric, especially now. You can't live in Northern Ireland at the moment and not be interested in politics.
When we reach Belfast, I stop at Deanes for a flat white. Everything about the cafe and the other customers seems ordinary. You can't tell from the outside, but the IRA has this city under its thumb. They run security rackets. Every building site has to pay them protection money, and all the restaurants in west Belfast have doormen. An IRA representative will tell the owner, "You need two doormen on Thursday and Friday...
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