Zu dieser ISBN ist aktuell kein Angebot verfügbar.
Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:
Versand:
EUR 13,83
Von Vereinigtes Königreich nach USA
Buchbeschreibung Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0719531039. Artikel-Nr. 7078670
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0719531039. Artikel-Nr. 8683835
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung HARDCOVER. Zustand: GOOD. 1974-05-15. Purnell Book Services Limited. Hardcover. ACCEPTABLE Previous owners name. Artikel-Nr. 2011931
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Zustand: Antiquarian. John Murray, London, 1974. 1st ed. XXIX,349p. Cloth wrps. Name on free endpaper. Nice copy. Antiquarian. Artikel-Nr. 22223
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren
Buchbeschreibung Originalleinen. Zustand: Gut. XXIX, 345 S. Ein gutes und sauberes Exemplar. - Fifty years ago we were told that the subjects of pictures were of no importance; all that mattered was the form (then called significant form ) and the colour. This was a curious aberration of criticism, because all artists, from the cave painters onwards, had attached great importance to their subject matter; Giotto, Giovanni Bellini, Titian, Michelangelo, Poussin or Rembrandt would have thought it incredible that so absurd a doctrine could have gained currency. In the 1930s, the tide began to turn. In art history the pioneer of this change was a man of original genius named Aby Warburg, and although he himself, for various reasons, left only fragments of his prodigious learning, his influence produced a group of scholars who discovered, in the subjects of mediaeval and renaissance art, layer upon layer of meaning that had been almost completely overlooked by the formalist critics of the preceding generation. One of them, Erwin Panofsky, was unquestionably the greatest art historian of his time. ISBN 0719531039 Sprache: Deutsch Gewicht in Gramm: 550. Artikel-Nr. 1154896
Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren