Film modernism - Softcover

Rohdie, Sam

 
9780719099281: Film modernism
Softcover
ISBN 10: 0719099285 ISBN 13: 9780719099281
Verlag: Manchester University Press, 2015

Inhaltsangabe

This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Sam Rohdie (1939-2015) was Professor of Cinema Studies at the University of Central Florida

Von der hinteren Coverseite

This book is at once a detailed study of a range of individual filmmakers and an exploration of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are Allegory, Bricolage, Classicism, Contradiction, Desire, Destructuring and Writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The apparent arbitrary order and openness of the book, based as it is on the alphabet, is indebted to Jean-Luc Godard’s interrogation of history and of film history in all his work, especially in his Histoire(s) du cinéma and its associative reach.

Sam Rohdie refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism, and often offers more in the way of questions and speculations than answers and conclusions. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

Aus dem Klappentext

This book is at once a detailed study of a range of individual filmmakers and an exploration of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are Allegory, Bricolage, Classicism, Contradiction, Desire, Destructuring and Writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The apparent arbitrary order and openness of the book, based as it is on the alphabet, is indebted to Jean-Luc Godard s interrogation of history and of film history in all his work, especially in his Histoire(s) du cinéma and its associative reach.Sam Rohdie refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism, and often offers more in the way of questions and speculations than answers and conclusions. Jean-Luc Godard s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

Verlag
Manchester University Press
Erscheinungsdatum
2015
Sprache
Englisch
ISBN 10 
0719099285
ISBN 13 
9780719099281
Einband
Taschenbuch
Anzahl der Seiten
256
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
gpsr@libri.de
gpsr@libri.de

Friedensallee 273
Hamburg
22763
Deutschland

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