Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves.
Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use.
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Sabrina Norlander Eliasson is Assistant Director at the Swedish School for Classical Studies in Rome and is affiliated with the Research Department at the National Museum of Fine Arts in Stockholm
Sabrina Norlander Eliasson is Assistant Director at the Swedish School for Classical Studies in Rome and is affiliated with the Research Department at the National Museum of Fine Arts in Stockholm
Sabrina Norlander Eliasson is Assistant Director at the Swedish School for Classical Studies in Rome and is affiliated with the Research Department at the National Museum of Fine Arts in Stockholm
Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves.
Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use.„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0719075963I5N00
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Sheds light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in 18th-century Rome. This book offers insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying innate or visiting elite sitters. Num Pages: 192 pages, Illustrations, black & white. BIC Classification: 1DST; 3JF; AGHF; HBTB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 170 x 23. Weight in Grams: 556. Books ship from the US and Ireland. Artikel-Nr. 9780719075964
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719075964. Artikel-Nr. 4318662
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Anbieter: San Francisco Book Company, Paris, Frankreich
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Cloth/dust jacket Octavo. red cloth, gilt lettering, dust jacket, 174 pp. Artikel-Nr. 71666
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