Making contemporary theatre: International rehearsal processes (Theatre: Theory-Practice-Performance) - Softcover

 
9780719074929: Making contemporary theatre: International rehearsal processes (Theatre: Theory-Practice-Performance)

Inhaltsangabe

Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made.

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Über die Autorin bzw. den Autor

Jen Harvie is Reader in Theatre and Performance in the Drama Department at Queen Mary, University of London. Andy Lavender is Professor of Contemporary Theatre and Dean of Research at the Central School of Speech and Drama, University of London

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Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made.

The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan's Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off 'asides', giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite's 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading.

Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made.

Aus dem Klappentext

Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan s Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off asides , giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite s 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made.

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Weitere beliebte Ausgaben desselben Titels

9780719074912: Making Contemporary Theatre: International Rehearsal Processes (Theatre: Theory-Practice-Performance)

Vorgestellte Ausgabe

ISBN 10:  0719074916 ISBN 13:  9780719074912
Verlag: Manchester University Press, 2010
Hardcover