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Spanish popular cinema (Inside Popular Film) - Softcover

 
9780719062834: Spanish popular cinema (Inside Popular Film)

Inhaltsangabe

Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history.

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Über die Autorin bzw. den Autor

Antonio Lázaro Reboll is Lecturer in Spanish at the University of Kent. Andrew Willis is Senior Lecturer in Media and Performance at the University of Salford

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This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema.

Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'.

The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film.

Aus dem Klappentext

This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema.Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'.The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film.

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