Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.
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Examines the ways in which 20th-century Britons have tried to find a distinctive musical voice. Musicians, including new populations from the former colonies, have proposed "national" musics for Britain as a whole and its constituent parts. Working in dialogue with European classical or American popular music, the British produced the folk revivals of the 1920s and 1950s, the pastoral symphonies of the 1920s, the pop of the 1960s and Britpop in the 1990s. By surveying the debates surrounding the status of such artists and styles as the Beatles, Birtwistle, Blur and Bhangra, this text emphasizes the importance of music as a generator of value and identity.
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719042997. Artikel-Nr. 9267585
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