With work in the collections of The Museum of Modern Art, New York, and Tate, London, Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of 'disappeared' Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served. American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. German literary critic Andreas Huyssen focuses on Salcedo's sculpture Unland: The Orphan's Tunic (1997). For the Arist's Choice, Salcedo has selected two texts: an extract from Otherwise Than Being (1974) by philosopher Emmanuel Levinas, and poems by Paul Celan. The Doris Salcedo's observations on the human condition and its reflection in the work of poets, novelists and thinkers are discussed in conversation with art historian Charles Merewether.
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Nancy Princenthal is a noted American art critic whose writings have appeared in journals such as Art in America, Parkett and Artforum. She has written extensively on contemporary artists, including Robert Mangold (Phaidon, 2000), Ann Hamilton and Roni Horn. Carlos Basualdo is a poet and curator based in New York who regularly contributes to Artforum and Art Nexus, among other publications. Formerly the Chief Curator of Exhibitions at the Wexner Center for the Arts at Ohio State University, Basualdo was also Co-Curator of Documenta 11 (2002) and the 50th Venice Biennial (2003). Andreas Huyssen is Villard Professor of German and Comparative Literature at Columbia University, New York. His publications include After the Great Divide: Modernism, Mass Culture, Postmodernism (1986) and Twilight Memories: Marking Times in a Culture of Amnesia (1995). He is also editor of the journal New German Critique.
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. GRP16943274
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First edition. Softcover. 159 pages. A paperback original. Features the text of interviews/conversations with Salcedo by Carlos Basualdo and Charles Merewether as well as texts by Nancy Princethal, Andreas Huyssen, Emmanuel Levinas, and poems by Paul Celan. Includes numerous illustrations, a chronology, bibliography and a list of illustrations. A very near fine copy in wrapppers with a small former owner signature to the front free endpaper and in a fine dust jacket. Artikel-Nr. 205814
Anbieter: Southampton Books, Sag Harbor, NY, USA
Paper Back. Zustand: Like New. Artikel-Nr. 164668
Anbieter: Antiquariat Bernhardt, Kassel, Deutschland
kartoniert. Zustand: Sehr gut. Zust: Gutes Exemplar. 160 Seiten, mit Abbildungen, Englisch 1100g. Artikel-Nr. 406399
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. With work in the collections of The Museum of Modern Art, New York, and Tate, London, Colombian artist Doris Salcedo (b.1958) is one of today's most internationally respected South American sculptors. Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of 'disappeared' Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served. American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. German literary critic Andreas Huyssen focuses on Salcedo's sculpture Unland: The Orphan's Tunic (1997). For the Arist's Choice, Salcedo has selected two texts: an extract from Otherwise Than Being (1974) by philosopher Emmanuel Levinas, and poems by Paul Celan. The Doris Salcedo's observations on the human condition and its reflection in the work of poets, novelists and thinkers are discussed in conversation with art historian Charles Merewether. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR003611920
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