Landscapes will soon no longer exist the way we know them. Global warming melts the Antarctic ice, slash and burn reduces the forests, rivers die of industrial pollution, and grassland gives way to cities as the human population grows. How do photographic artists respond? Should they glorify nature or aim to enlighten the spectator?
Vanishing Landscapes provides different viewpoints from twenty internationally renowned photographers, including several works specially commissioned for this book. Each of the artists has written a short commentary on their work, and their attitude to global warming.
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John Berger is a storyteller, essayist, novelist, screenwriter, dramatist and critic, whose body of work embodies his concern for, in Geoff Dyer's words, "the enduring mystery of great art and the lived experience of the oppressed." He is one of the most internationally influential writers of the last fifty years, who has explored the relationships between the individual and society, culture and politics and experience and expression in a series of novels, bookworks, essays, plays, films, photographic collaborations and performances, unmatched in their diversity, ambition and reach. His television series and book Ways of Seeing revolutionised the way that Fine Art is read and understood, while his engagement with European peasantry and migration in the fiction trilogy Into Their Labours and A Seventh Man stand as models of empathy and insight. Central to Berger's creative identity is the idea of collaboration, with people, places and communities as much as with other writers and thinkers. Democratic and open exchange is embedded into his project, and among those artists with whom he has worked are some of the most imaginative in their fields - theatre director Simon McBurney of Complicite, the late artist Juan Munoz, photographer Jean Mohr, composer Gavin Bryars and film-makers Mike Dibb, Alain Tanner and Timothy Neat.
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