The Shadow of Death: Literature, Romanticism, and the Subject of Punishment - Hardcover

Über die Autorin bzw. den Autor

Mark Canuel is Associate Professor of English at the University of Illinois, Chicago. He is the author of "Religion, Toleration, and British Writing, 1790-1830".

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"Canuel's book is well researched and groundbreaking. Scholars of Romanticism are likely to know of scattered references to the death penalty, but few, I think, will have known before reading Canuel's provocative book of its pervasiveness as an issue of concern."--Celeste Langan, author of Romantic Vagrancy: Wordsworth and the Simulation of Freedom

"The Shadow of Death derives its strength and originality from pinpointing the persistent power--political and aesthetic--of punishment in British Romantic writing. In a series of energetic and ingenious readings of works written in an age pervaded by the rhetoric of penal reform, Canuel calls attention to various 'negotiations' between the logics of reform and sanctioned murder in order to show their inevitable mutuality. Another significant feature of Canuel's argument is the strong link between the exercise of the Romantic imagination and the exercise of corporal punishment. This is itself a forceful argument, and an original one, made in often unpredictable ways. The topic and major arguments of this book ought to be of interest not simply to scholars of the period, but also to those interested in the larger philosophical and political debates surrounding the death penalty."--Mary A. Favret, author ofRomantic Correspondence: Women, Politics, and the Fiction of Letters

Aus dem Klappentext

"Canuel's book is well researched and groundbreaking. Scholars of Romanticism are likely to know of scattered references to the death penalty, but few, I think, will have known before reading Canuel's provocative book of its pervasiveness as an issue of concern."--Celeste Langan, author of Romantic Vagrancy: Wordsworth and the Simulation of Freedom

"The Shadow of Death derives its strength and originality from pinpointing the persistent power--political and aesthetic--of punishment in British Romantic writing. In a series of energetic and ingenious readings of works written in an age pervaded by the rhetoric of penal reform, Canuel calls attention to various 'negotiations' between the logics of reform and sanctioned murder in order to show their inevitable mutuality. Another significant feature of Canuel's argument is the strong link between the exercise of the Romantic imagination and the exercise of corporal punishment. This is itself a forceful argument, and an original one, made in often unpredictable ways. The topic and major arguments of this book ought to be of interest not simply to scholars of the period, but also to those interested in the larger philosophical and political debates surrounding the death penalty."--Mary A. Favret, author ofRomantic Correspondence: Women, Politics, and the Fiction of Letters