Chuck Close--a man who describes himself as "an artist looking for trouble"--has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints.
Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process. The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next. "Prints have moved me in my unique work more than anything else has," Close says. "Prints change the way I think about things."
From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.
EXHIBITION SCHEDULE
Blaffer Gallery, the Art Museum of the University of Houston
September 13-November 23, 2003
The Metropolitan Museum of Art, New York
January 13-April 18, 2004
Miami Art Museum, Florida
May 14-August 22, 2004
Knoxville Museum of Art, Tennessee
October 29, 2004-March 27, 2005
Mint Museum of Art, Charlotte, North Carolina
April 16-August 7, 2005
Addison Gallery of American Art, Andover, Massachusetts
September 6-December 4, 2005
Modern Art Museum of Fort Worth, Texas
April 16-June 28, 2006
Madison Museum of Contemporary Art in Madison, Wisconsin
July 29 - October 6, 2006
Orange County Museum of Art, Newport Beach, CA
January 28-April 20, 2007
Boise Art Museum, Idaho
May 12-August 11, 2007
Portland Art Museum, Oregon
September-December 2007
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Terrie Sultan is Director and Chief Curator of Blaffer Gallery, the Art Museum of the University of Houston. Her publications include "Seeing and Believing: The Art of Nancy Burson, Kerry James Marshall," and "Ida Applebroog: Nothing Personal". Richard Shiff is Effie Marie Cain Regents Chair in Art at the University of Texas. The author of "Cezanne and the End of Impressionism", he is coauthor of "Willem de Kooning: Tracing the Figure" (Princeton) and the editor of several other books.
"Close's relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Close's enthusiasm for printmaking and for process, and the detailed illustrations are fascinating."--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper
"Closes relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Closes enthusiasm for printmaking and for process, and the detailed illustrations are fascinating."--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper
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Anbieter: Voyageur Book Shop, Milwaukee, WI, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Signed on the half-title page. Some corner wear to the dust jacket. K1. Signed by Author(s). Artikel-Nr. 021895
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Anbieter: DogStar Books, Lancaster, PA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. First Edition; First Printing. 4to 11" - 13" tall; 160 pages; 2003 Princeton University Press. Oversize HC/DJ. 1st edition, 1st printing. Snugly bound and clean in uniformly bright color pictorial dust jacket. Just mild shelf rubbing to jacket edges. Laid in at rear are two loose, tissue guarded color prints of Close's portrait of Bill Clinton. They appear to be a high quality inkjet print on thick art stock paper. I have no idea of the source of these prints, possibly they could have been purchased at the National Portrait Gallery. The book profusely illustrated with process photos and reproductions of prints in color. NF/VG++. Artikel-Nr. 53382
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Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. Close, Chuck (illustrator). Illustrated throughout, some in color, some folding plates. 160 pages. Tall slim 4to, pictorial boards, d.w. Princeton: Princeton University Press & Houston: Blaffer Gallery, (2003). First edition. A fine copy in a near fine dust wrapper. A scarce catalogue. Artikel-Nr. 271604
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Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Close, Chuck (illustrator). Illustrated throughout, some in color, some folding plates. 160 pages. Tall slim 4to, pictorial boards, d.w. Princeton: Princeton University Press & Houston: Blaffer Gallery, (2003). First edition. A fine copy in a fine dust wrapper. A scarce catalogue, with a bold personal inscription from the artist, to Nan Rosenthal, the curator of modern art the Metropolitan Museum and National Gallery "For Nan - with thanks for all you have done, for the friendship over the years & all the fun! Love, Chuck 2004". Artikel-Nr. 271269
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