In Art and Representation, John Willats presents a radically new theory of pictures. To do this, he has developed a precise vocabulary for describing the representational systems in pictures: the ways in which artists, engineers, photographers, mapmakers, and children represent objects. His approach is derived from recent research in visual perception and artificial intelligence, and Willats begins by clarifying the key distinction between the marks in a picture and the features of the scene that these marks represent. The methods he uses are thus closer to those of a modern structural linguist or psycholinguist than to those of an art historian. Using over 150 illustrations, Willats analyzes the representational systems in pictures by artists from a wide variety of periods and cultures. He then relates these systems to the mental processes of picture production, and, displaying an impressive grasp of more than one scholarly discipline, shows how the Greek vase painters, Chinese painters, Giotto, icon painters, Picasso, Paul Klee, and David Hockney have put these systems to work.
But this book is not only about what systems artists use but also about why artists from different periods and cultures have used such different systems, and why drawings by young children look so different from those by adults. Willats argues that the representational systems can serve many different functions beyond that of merely providing a convincing illusion. These include the use of anomalous pictorial devices such as inverted perspective, which may be used for expressive reasons or to distance the viewer from the depicted scene by drawing attention to the picture as a painted surface. Willats concludes that art historical changes, and the developmental changes in children's drawings, are not merely arbitrary, nor are they driven by evolutionary forces. Rather, they are determined by the different functions that the representational systems in pictures can serve.
Like readers of Ernst Gombrich's famous Art and Illusion (still available from Princeton University Press), on whichArt and Representation makes important theoretical advances, or Rudolf Arnheim'sArt and Visual Perception, Willats's readers will find that they will never again return to their old ways of looking at pictures.
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John Willats, a sculptor and lecturer on the formal structures in pictures, is the coauthor with Fred Dubery of Drawings Systems and Perspective and Other Drawing Systems. He has published widely in journals, including Perception, Child Development, and The Quarterly Journal of Experimental Psychology. Willats is an Honorary Research Fellow of the University of Birmingham, England.
"John Willats presents a new approach to the methods artists use to depict the world. . . . All art historians and critics as well as psychologists interested in drawing or painting will need to become familiar with Willats's approach.Art and Representation will create a considerable stir and will change the way both critics and the public think about art."--Stuart Sutherland, Professor Emeritus, Sussex University
"We have for too long known elaborate attempts to 'explain' pictures of things rooted in the thinnest conceptions of how to 'describe' pictures. InArt and Representation, Willats not only recognizes the problem but also accomplishes much of the job of solving it, based on his rare combination of abilities as an artist, engineer, and leading researcher in the cognitive psychology of children's art. Through revealing discussions of a diversity of well-illustrated graphic forms, from Greek vase painting and Byzantine icons to cubism and photography, from children's drawings to technical design drawings, Willats provides a systematic, clear, and nontechnical language that would greatly benefit anyone writing about pictures."--Patrick Maynard, University of Western Ontario
"John Willats presents a new approach to the methods artists use to depict the world. . . . All art historians and critics as well as psychologists interested in drawing or painting will need to become familiar with Willats's approach. Art and Representation will create a considerable stir and will change the way both critics and the public think about art."--Stuart Sutherland, Professor Emeritus, Sussex University
"We have for too long known elaborate attempts to 'explain' pictures of things rooted in the thinnest conceptions of how to 'describe' pictures. In Art and Representation, Willats not only recognizes the problem but also accomplishes much of the job of solving it, based on his rare combination of abilities as an artist, engineer, and leading researcher in the cognitive psychology of children's art. Through revealing discussions of a diversity of well-illustrated graphic forms, from Greek vase painting and Byzantine icons to cubism and photography, from children's drawings to technical design drawings, Willats provides a systematic, clear, and nontechnical language that would greatly benefit anyone writing about pictures."--Patrick Maynard, University of Western Ontario
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0691087377I3N00
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. GRP23562127
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Anbieter: Southampton Books, Sag Harbor, NY, USA
Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Princeton University Press, 1997. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Artikel-Nr. 415303
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,100grams, ISBN:9780691087375. Artikel-Nr. 9872749
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Anbieter: Adelaide Booksellers, Clarence Gardens, SA, Australien
Hardback. Zustand: Near Fine. 1st Edition. Large octavo size [16x24cm approx]. Near Fine condition in a Near Fine Dustjacket. Dustjacket now protected in our purpose-made clear archival plastic sleeve. An excellent copy. Illustrated with Black & White Photographs, Drawings and Colour Plates. Robust, professional packaging and tracking provided for all parcels. xiv, 394 pages. Contents organised in five parts. Part I: Drawing Systems; Part II: Denotation Systems; Part III: Picture Production; Part IV: The Functions of Representative Systems; Part V: Changes in Representational Systems Over Time. Includes lengthy Introduction, Notes, References and Index. Artikel-Nr. 330458
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Anbieter: Asano Bookshop, Nagoya, AICHI, Japan
HRD. Zustand: Very Good. Hardcover, small stain on bottom edge of pages, grayish and reddish discoloration on jacket (colored off from other book?), small blackish stain on first page, otherwise in very good condition. Artikel-Nr. 82833
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 394 pages. 10.00x6.50x1.50 inches. In Stock. Artikel-Nr. 0691087377
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