The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries.
Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries.
Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Hardcover with dust jacket. Zustand: Sehr gut. VIII, 215 p. Dust jacket faded in places due to light, sticker on dust jacket, otherwise a good and clean copy. - CONTENTS Acknowledgments Introduction Nominalist Theology? The Renaissance against Scholasticism? Theology and Literary Analysis ONE The Free Reader: Hypothetical Necessity in Fiction Absolute versus Hypothetical Necessity Pulci, Ariosto, Rabelais: Hypothetical Worlds Tasso, dAubigne: Return to Absolute Necessity TWO Free Reward: Merit in Courtly Literature Condign versus Congruous Merit Favor and Merit in Castiglione's Libro del cortegiano Complaining Courtiers: Marot and Ronsard Merit and Fictional Courts: Rabelais and Marguerite de Navarre THREE The Free Creator: Causality and Beginnings Causation as a Theological Problem Authority as Prior Cause Source and Movement: From Pantagruel to the Tiers livre Montaigne's Beginning, or, Authorizing the Subject The First Cause of Custom: Essais I, 23 FOUR Free Choice in Fiction: Will and Its Objects in Rabelais Antecedent and Consequent Will of God Will, Final Cause, and "Voluntarism" Gargantua's Dilemma and Pantagruel's Choice of Panurge Panurge's Dilemma FIVE The Free Poet: Sovereignty and the Satirist Du Bellay's Refusal The Sovereign as the Unbound: The Huguenots and Bodin God's Sovereignty Du Bellay and the Voluntary Negative Sovereignty Sovereign Friendship: Montaigne and La Bo 'etie Epilogue: Will and Perspective Bibliography Index. ISBN 9780691068534 Sprache: Englisch Gewicht in Gramm: 711. Artikel-Nr. 1208286
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