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Kings & Connoisseurs: Collecting Art in Seventeenth-Century Europe (A. W. Mellon Lectures in the Fine Arts) - Hardcover

 
9780691044972: Kings & Connoisseurs: Collecting Art in Seventeenth-Century Europe (A. W. Mellon Lectures in the Fine Arts)
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Book by Brown Jonathan

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"A lavishly illustrated edition ... full of down-to-earth narrative about dickering and haggling among princes and their agents.... Brown is particularly good at converting the hard evidence of the Hapsburg acquisitions into a sort of poignant thriller."--Raymond Sokolov, The Wall Street Journal

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Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market.


The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English collections in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections.


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  • VerlagBollingen Foundation
  • Erscheinungsdatum1995
  • ISBN 10 069104497X
  • ISBN 13 9780691044972
  • EinbandTapa dura
  • Anzahl der Seiten264

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9780300064377: Kings and Connoisseurs: Collecting Art in Seventeenth-century Europe (The Paul Mellon Centre for Studies in British Art)

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ISBN 10:  0300064373 ISBN 13:  9780300064377
Verlag: Yale University Press, 1995
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Brown, Jonathan
ISBN 10: 069104497X ISBN 13: 9780691044972
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Buchbeschreibung Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. 8110139-6

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ISBN 10: 069104497X ISBN 13: 9780691044972
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Buchbeschreibung Zustand: Sehr gut. Bollingen Series XXXV:43. 264 p., numerous ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. - Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English colletions in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. - Jonathan Brown is Carroll and Milton Petrie Professor of Fine Arts at the Institute for Fine Arts at New York University and the author of several books, including Images and Ideas in Seventeenth'Century Spanish Painting (Princeton), Velazquez: Painter and Courtier, and, with J. H. Elliott, A Palace for a King: The Buen Retiro and the Court of Philip IV. ISBN 9780691044972 Sprache: Englisch Gewicht in Gramm: 1575 Original cloth with dust jacket. Artikel-Nr. 1189946

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