The Art of Devotion in the Late Middle Ages in Europe 1300-1500 - Hardcover

Críticas

"The Art of Devotion in the Late Middle Ages by Henk van Os is [a] book of enthralling paintings, altarpieces and sculptures. . . . Not only is it valuable to see from an art historian's point of view how art plays a central role in devotional practices, it's also helpful to be reminded of the place of devotion in life."--Los Angeles Times Book Review

"[This book] describes and illustrates, with the help of fine color reproductions, 44 objects . . . that document the important developments of art in the context of private devotion during the later Middle Ages. The aim . . . has been to soften the expected editorial contours of the traditional exhibition catalog. . . . This endeavor is quite well realized."--Choice

Reseña del editor

One of the mainsprings of the revolution in art that took place throughout Europe in the late Middle Ages was the growth and development of individual piety or "private devotion." The movement began among monks, in the cloister, but soon spread to the castle and to patrician houses in the rich cities as clergy and laity alike sought to achieve personal salvation, often using beauty as an aid to achieve "nearness" to the divinity. In this book, filled with color reproductions of devotional art across many media--ivory, manuscript illumination, painted panel, wood sculpture--by artists ranging from Ambrogio Lorenzetti to Mantegna and Memling, the authors demonstrate how the movement affected both the iconography and style of European art between 1300 and 1500.

This book is among the first to explore in-depth the accepted disciplines and aids to prayer that circulated in the late Middle Ages and bring them into the context of surviving art works. Individual works of art are studied to see how they functioned for their owners as activators of the imagination, as focal points for their special devotions, as vehicles to the "real" other world of God and the saints. Combining acute sensitivity to the individual work of art with a broad grasp of its historical context, this book is reminiscent of the contributions made by Erwin Panofsky and Sixten Ringbom to this area of art history.