The Films of Theo Angelopoulos: A Cinema of Contemplation (Princeton Modern Greek Studies) - Hardcover

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Andrew Horton is Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is the author of Writing the Character Centered Screenplay, Russian Critics on a Cinema of Glasnost, and Comedy/Cinema/Theory, and coauthor, with Michael Brashinsky, of The Zero Hour: Glasnost and Soviet Cinema in Transition.

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"Theo Angelopoulos is a masterful filmmaker. He really understands how to control the frame. There are sequences in his work--the wedding scene inThe Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene inThe Traveling Players--where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly."--Martin Scorsese

"Horton's book fills a crucial gap in film studies by bringing to attention the work of a European filmmaker whose films remain unfamiliar to many. This book is an extraordinary study of a major artist and one that should help make Angelopoulos a much better known figure in this country."--Stuart McDougal, University of Michigan

"The interpretive conception, the argument, and the conclusion of this book are nothing short of brilliant. It is as if Angelopoulos comes into his own with Andrew Horton's writing. It could become a model for film writing, not least for its expansive ideological and historical perceptions."--John Chioles, New York University

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"Theo Angelopoulos is a masterful filmmaker. He really understands how to control the frame. There are sequences in his work--the wedding scene inThe Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene inThe Traveling Players--where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly."--Martin Scorsese

"Horton's book fills a crucial gap in film studies by bringing to attention the work of a European filmmaker whose films remain unfamiliar to many. This book is an extraordinary study of a major artist and one that should help make Angelopoulos a much better known figure in this country."--Stuart McDougal, University of Michigan

"The interpretive conception, the argument, and the conclusion of this book are nothing short of brilliant. It is as if Angelopoulos comes into his own with Andrew Horton's writing. It could become a model for film writing, not least for its expansive ideological and historical perceptions."--John Chioles, New York University