Über die Autorin bzw. den Autor

James Howe is the author of more than ninety books for young readers. Bunnicula, coauthored by his late wife Deborah and published in 1979, is considered a modern classic of children’s literature. The author has written six highly popular sequels, along with the spinoff series Tales from the House of Bunnicula and Bunnicula and Friends. Among his other books are picture books such as Horace and Morris but Mostly Dolores and beginning reader series that include the Pinky and Rex and Houndsley and Catina books. He has also written for older readers. The Misfits, published in 2001, inspired the nationwide antibullying initiative No Name-Calling Week, as well as three sequels, Totally Joe, Addie on the Inside, and Also Known as Elvis. A common theme in James Howe’s books from preschool through teens is the acceptance of difference and being true to oneself. Visit him online at JamesHowe.com.

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Bud Barkin, Private Eye

Atheneum

Okay, fine. My last book didn't win the Newbony Award. Who cares? My readers liked it, that's all that matters. Now that I've written four books, I get letters from my readers all the time. That is so cool! I got one just the other day from this girl named Krystel, who said I'm her favorite author!

"Dear Howie Monroe," she wrote, "you are my favorite author. I haven't read any of your books, but if I have time someday, maybe I will."

That is so cool!

Then this boy named Jayson wrote, "I like your stories. They sure are funny. The only problem is that there aren't any pigs in your stories. Why don't you write about pigs? Don't you like pigs? Other than not having any pigs, I think your stories are good."

I like pigs. Who said I didn't like pigs?

I tried writing a story about a pig once. It was about a pig that was turned into a monster by a mad scientist. It was called Frankenswine. The problem was, it ended up sounding too much like a book Uncle Harold wrote about our rabbit. Uncle Harold said that was okay, that there are lots of books that are kind of like other books. He mentioned a certain book of mine (see Book #3: Howie Monroe and the Doghouse of Doom), but that was different. I don't know why, but it was. The thing is, I don't want to write the same kinds of stories as Uncle Harold.

Except, I wouldn't mind writing a mystery, even if Uncle Harold has already written some. I mean, lots of authors have written mysteries. Uncle Harold didn't invent them. (At least, I don't think he did. I'll have to ask.)

Uncle Harold says that mysteries are hard to write. He says even though he usually doesn't outline his books first, with mysteries he needs to because mysteries are like puzzles and you have to know where all the pieces fit.

That sounds like way too much work.

I'm going to go take a nap.

Outline for mystery story

I. Mysterious thing happens

II. Detective called in to investigate

III. Detective checks it out

IV. Detective solves the case

I don't know what Uncle Harold is talking about. That wasn't hard at all!

I let Uncle Harold read my outline. Well, that was a mistake. He said I need more details.

"Like what?" I asked.

"Like the crime," he told me. "With a mystery, always start with the crime and work backward."

Backward? It's hard enough writing forward!

He said I need to figure out who committed the crime and why they did it, and then I need to make other characters seem suspicious so the reader will think one of them did it instead of the real criminal.

He said something about red herrings, which I didn't understand at all. (I know Uncle Harold has food on the brain, but I didn't think he liked fish.)

He suggested I read some mysteries before trying to write one. That's easy enough to do. Mr. Monroe is a big mystery reader. I'll just sneak into his study after everybody's asleep. I'll read all the mysteries I can get my paws on. If I read enough of them, I'll have all the details I need.

Maybe I'll even have an idea!

By Howie Monroe

"The Mysterious Dame"

I was working late. It was past my bedtime, but I didn't care because twenty out of twenty-four hours is my bedtime. I'm a dog. I'm a detective. The name's Bud Barkin.

The light from the sign outside my window was blinking like a firefly with a bad case of the hiccups. I was used to it. The sign for the Big Slice Pizzeria had been there as long as I had. I'd just finished off a pepperoni and mushroom pizza -- dinner alone, as usual -- when I heard a knock on my door. My ears popped up like a couple of prairie dogs.

Who would come knocking on my door at this hour? I was hoping it wasn't Crusty Carmady. I'd just read in that evening's Chronicle that Crusty'd been sprung from Sing Sing. It was I that sent him up. His last words to me were, "I'll be gettin' outa here one of these days, Barkin. And when I do, put the water on fer tea 'cause I'll be payin' youse a little visit."

I inched my way across the room to the door. The top half of the door was frosted glass with words painted on it. A shadow fell across BUD BARKIN, PRIVATE EYE.

I held my breath.

"That you, Carmady?" I said.

There was the sound of breathing coming from the other side, but it wasn't Crusty's. I'd recognize his breathing anywhere. It was as raspy as a dull knife scraping across a piece of burnt toast. This breathing was fast and flighty, like a hummingbird with a bad case of the jitters.

I knew right away: The breather was a dame.

I pulled the door open. She toppled into me. One blonde curly ear hid half her face, but I could see right off she was Trouble with a capital T.

"Mr. Barkin," she pleaded, "you gotta help me."

"Do I, sweetheart?" I said. I may have been a private eye who was down on his luck, but I still had a way with words.

The dame was whimpering now. "C-Close the door," she stammered. "I'm being f-followed."

I did like she asked.

"Drink?" I offered, filling the extra water dish I keep handy.

"Don't mind if I do," she said, slurping as noisily as a gang of schoolkids splashing through a puddle at the tail end of a rainy day. I noticed that once she was inside the room, she didn't seem so scared. I smelled a rat and it wasn't pretty. This dame was up to something.

"What's your name, sweetheart?" I asked her.

"Delilah," she told me. "Delilah Gorbish. I just breezed into town. Haven't been here but seven days and I'm in danger. It's enough to make one weak."

I ignored her clever pun, wishing I'd thought of it myself. "What kind of danger you in, angel face?" I asked.

"The kind that leaves you shaking like a bowl of Jell-O on a stormy sea," she said.

"That's the worst kind," I told her.

She opened her purse and took out a box. "A certain party back home asked me to deliver this to a mutual acquaintance, but he was not at the address I was given. I've tried locating him, but I've had no luck. And now I have the distinct impression that I'm being followed. Somebody wants this box."

"Or they want to make sure it doesn't get to the party for whom it was intended," I interjected wisely. "What's inside the box, anyway?"

She shook her head. "I don't know. It's sealed shut, and I was instructed not to open it. I was told...I was told it was safer for me not to know its contents."

"You're in a pickle, all right."

"So you'll help me? Please, Mr. Barkin, say yes. I'm as frightened as a cockroach when the lights snap on and there's no place to hide."

I didn't know what to think. Maybe she

was on the up-and-up. Besides, I needed the dough. The last time I checked under my mattress, the only thing I found was a set of broken-down springs. I'd spent my last dime on a cheap chew bone, and that was two days ago. The pizza I'd had for dinner? Courtesy of the Dumpster in back of the Big Slice.

"It'll cost you," I told her.

"I've got money," she told me back. "Cash money."

"That's the best kind," I said. "Just one thing, sweetheart. If we're going to be working together?"

"Yes?"

"I'll do the similes."

Text copyright © 2003 by James Howe

Illustrations copyright © 2003 by Brett Helquist

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