For more than four decades, Bruno Bettelheim was regarded by a large public as one of the world's most important and influential psychotherapists, a Viennese intellectual who stood as "one of Freud's few genuine heirs of our time." In fact, as Richard Pollak documents in this revelatory new biography, Bettelheim was a lumber dealer who grandly reinvented himself with a faked set of academic credentials after emigrating to the United States in 1939. In the years that followed, deception followed deception as Bettelheim claimed that he had traveled in Freud's circle, had treated autistic children in Vienna, had interviewed 1,500 fellow prisoners for his famous psychological study of concentration camp behavior, and had been freed from Buchenwald through the intervention of Eleanor Roosevelt.
In Love Is Not Enough, Truants from Life, and The Empty Fortress, Bettelheim's much-praised books about the Orthogenic School, the home for emotionally disturbed children at the University of Chicago that he ran for three decades, he continued his fabrications, maintaining that he had treated "hundreds" of schizophrenic children who feared for their lives at the hands of their parents, shaping pseudonymous case histories to enhance his reputation, and claiming, with concocted statistics, that he was returning 85 percent of his young patients to normal lives.
Pollak also demonstrates in frightening detail how "Dr. B," as he was called at the Orthogenic School, often spun angrily out of control and abused the children both physically and emotionally, all the while insisting in his books and from the lectern that such punishment was absolutely verboten. Pollak also carefully spells out how Bettelheim plagiarized portions of his prize-winning book on the psychological meaning of fairy tales, The Uses of Enchantment.
In a work of prodigious research, Pollak reveals the real Bruno Bettelheim for the first time, giving us a portrait at once tough-minded and sympathetic of a man who, for all his success, could never stop dissembling and re-creating himself.
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